A cosplay enthusiast waits at the premiere of the movie “Warcraft” in Hollywood, California U.S., June 6, 2016. (Photo by Mario Anzuoni/Reuters)

Artist Jesús Prudencio loves cars and movies, if you couldn’t tell by his beautiful series of movie posters, titled Cars and Films, that focuses on an iconic automobile from each movie. From Back to the Future to Pulp Fiction, The Shining to The Italian Job, Prudencio’s colorfully minimal illustrations are a delight for any fan of cars and/or films.

A member of the “Exit Point” amateur rope-jumping group jumps from a 44-metre high (144-feet high) waterpipe bridge in the Siberian Taiga area outside Krasnoyarsk, September 28, 2014. Fans of rope-jumping, a kind of extreme sport involving a jump from a high point using an advanced system of amortization including mountaineering and rope safety equipment, attended the Golden Autumn group's jumping season. (Photo by Ilya Naymushin/Reuters)

Soccer is played on a television mounted in a workshop in the Willets Point area of Queens in New York October 27, 2015. Willets Point, also known as the Iron Triangle, is an industrial precinct that sits in the shadow of Citi Field, home of the New York Mets baseball team. Many businesses within Willets Point employ a largely immigrant workforce. (Photo by Andrew Kelly/Reuters)

Members of the “Exit Point” amateur rope-jumping group jump from a 44-metre high (144-ft) waterpipe bridge in the Siberian Taiga area outside Krasnoyarsk, September 13, 2015. Rope-jumping, an extreme sport, involves jumping from a high point using an advanced leverage system combining mountaineering and rope safety equipment. (Photo by Ilya Naymushin/Reuters)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.