The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)

For the past 20 years,Marco has divided his time photographing, traveling, and living between italy and France. He regularly participates in workshops in Paris. Sharpening his technical skills and learning to take risks. He has been investigating various photographic styles, including macro-photography of precious stones and insects, portraits and weddings. All of these subjects have given him the opportunity to bring his love for the medium into areas which challenges his capacity to be creative.

A bodypainter uses UV paint to create electrifying masterpieces of stunning landscapes on models. John Poppletons vibrant Bodyscapes feature bright savannahs, lightning storms and vivid galaxies leaping from the bodies of his subjects. The artist, who lives in Wellsville in Utah, USA, uses a black light on his paintings to make them look as close to real life as possible. He predominantly uses female models and often paints across their backs to give him the largest surface area to work with. Here: “Bamboo Mist”. (Photo by John Poppleton/Caters News)

Cotswold gamekeeper shoots amazing pictures of British wildlife – without the aid of long lenses and elaborate techniques. The photos may look like they have been shot from miles away – but amazingly Adam Tatlow is actually just feet away from his wild subjects. Photo: Young fawn shelters in the wood. He is so at one with nature that he knows how to call animals to him, and often gets within 30ft of them. (Photo by Adam Tatlow/BNPS)

Karl Bang's paintings are unique because he combines totally different styles of painting within the same format. It is very difficult to design a balanced composition with realistic elements that are juxtaposed with flat colors and patterns. The faces of his subjects are painted realistically in the Western tradition with subtle gradations of color; while, his figures and costumes vignette into abstracted shapes, lines, flat colors and patterns that reflect Karl's background in China. It is as though there are different visual languages being spoken within his paintings.

Figures from Antony Gormley's “Field For The British Isles” adorns an exhibition space in St Helen's College in the town of it's creation 15 years ago, June 23, 2008, St Helens, England. The installation of over 40,000 clay figures has returned to the place where it was made by local people from local clay. Artist Antony Gormley describes his creation as “25 tons of clay energised by fire, sensitised by touch and made conscious by being given eyes ... a field of gazes which looks at the observer making him or her its subject”. (Photo by Christopher Furlong/Getty Images)

In this photograph taken on December 8, 2017, Indian child Samarth Bangari, 2, plays with langur monkeys at his home in Allapur in India' s southwest Karnataka state, 250 miles from Bangalore. He is still too young to talk, but a 2- year- old Indian boy has become a subject of local intrigue after befriending a gang of langur monkeys. (Photo by Manjunath Kiran/AFP Photo)

A humanoid robot named Kansei, meaning “sensibility” in Japanese, makes a facial expression depicting “happiness”, next to the word “Love” during a demonstration at a laboratory of Meiji University's Robot and Science Institute in Kawasaki, south of Tokyo in this June 4, 2007 file photo. Three-fourths of robot installations over the next decade are expected to be concentrated in four areas: transportation equipment, including the automotive sector; computer and electronic products; electrical equipment and machinery. Labor costs have climbed in countries such as China that have been popular for outsourcing production, while technological advances for robots allow them to be more flexible and perform more tasks. (Photo by Yuriko Nakao/Reuters)