Labourers walk near trucks loaded with logs, which are trapped on a muddy road, near an unreserved forest in the village of Igbatoro, southwest Nigeria, August 28, 2014. Wood, a form of biomass, is the sole source of energy for hundreds of millions of Africans who lack access to modern sources of power, and logging, both legal and illegal, remains a lucrative business that has contributed to the rapid shrinking of Africa's rainforests and woodlands. (Photo by Akintunde Akinleye/Reuters)

The People of Mah Meri tribe at home at Pulau Carey village on December 03, 2016 in Selangor, Malaysia. The Mah Meri people are one 18 tribes of Orang Asal (indigenous people) living in west Malaysia. The Mah Meri are know for thei wood carvings and also for the richness of their songs and dances. (Photo by Yuli Seperi/Sijori Images/Barcroft India)

In this photo taken on Saturday, April 29, 2017, a candle is lit in a roadside shrine as the sun sets across a nearby lake of Pineia in the village of Souli, in the Peloponnese region of southern Greece. Made of iron sheeting, stone, wood, concrete or marble, tens of thousands of such shrines punctuate Greece’s roadside scenery, a common sight in a country that has one of the European Union’s worst road fatality rates. (Photo by Petros Giannakouris/AP Photo)

This is the stunning body of work by a talented painter – who transforms humans into amazing animals. From alligators to foxes and even owls, artist Shannon Holt, 39, paints every little detail on models to turn them into wildlife. The incredible paintings, which take anywhere between six to 12.5 hours to complete, are part of her Florida Wildlife Series. Shannon, from DeLand, Florida, previously worked on different surfaces such as glass, metals and wood. But the animal advocate decided to experiment with human canvasses and incorporate animals in her work. Here: Red Fox. (Photo by Ryder Gledhill/Shannon Holt/Caters News)

Elio Angulo (bottom C) lies inside a cardboard coffin next to Alejandro Blanchard as they introduce their product to potential customers at a mortuary in Valencia, in the state of Carabobo, Venezuela August 25, 2016. When Venezuelan entrepreneurs Alejandro Blanchard and Elio Angulo decided to create cardboard coffins, they were looking for an ecological selling point to compete against classic wood and brass caskets. Three years on, with the oil-rich country mired in deep economic crisis, their “bio-coffins” are becoming a viable option because of high prices for wooden coffins and shortages of brass ones. (Photo by Marco Bello/Reuters)

In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived, chopping wood to heat the house and making their own clothes. Sablin's book of photographs, “Aunties: The Seven Summers of Alevtina and Ludmila”, is published by Duke University Press. Here: “Two-Handed Saw, 2014”. (Photo by Nadia Sablin)

Black Nazarene devotees clamber on top of one another to to touch the cross on January 9, 2015 in Manila, Philippines. The Feast of the Black Nazarene culminates in a day long procession on January 9 as barefoot devotees march to see and touch the image of the Black Nazarene. The Black Nazarene is a dark wood sculpture of Jesus brought to the Philippines in 1606 from Spain and considered miraculous by Filipino devotees. The event falls a week ahead of the visit of Pope Francis who will travel to Leyte and Manila during his visit to the Philippines from January 15–19. The visit is expected to attract crowds in the millions as Filipino Catholics flock to catch a glimpse of the leader of the Catholic Church. The Philippines is the only Catholic majority nation in Asia with around 90 percent of the population professing the faith. (Photo by Dondi Tawatao/Getty Images)