“A Hadaka Matsuri (“Naked Festival”) is a type of Japanese festival, or matsuri, in which participants wear a minimum amount of clothing; usually just a Japanese loincloth (called fundoshi), sometimes with a short happi coat, and rarely completely naked. Whatever the clothing, it is considered to be above vulgar, or everyday, undergarments, and on the level of holy Japanese shrine attire. Naked festivals are held in dozens of places throughout Japan every year, usually in the summer or winter. The most famous festival is held in Okayama, where the festival originated. Every year, over 9,000 men participate in this festival”. – Wikipedia

Photo: Japanese men wear loincloths as they splash about in freezing cold water during Saidaiji Naked Festival, at Saidaiji Temple on February 18, 2012 in Okayama, Japan. (Photo by Buddhika Weerasinghe/Getty Images)

Photographer Han Youngsoo captured the ordinary people of Korea as the country emerged from war into an age of prosperity. Han Youngsoo: Photographs of Seoul 1956–63 is at the International Center of Photography (ICP), Jersey City, New Jersey, until June 9, 2017. Here: Seoul, Korea. (Photo by Han Youngsoo/The Guardian)

An Iraqi woman grieves at the scene of a bomb attack in Jameela market in the Iraqi capital's crowded Sadr City neighborhood Baghdad, Iraq, Thursday, August 13, 2015. A massive truck bomb ripped through a popular Baghdad food market in a predominantly Shiite neighborhood in the early morning hours on Thursday, killing dozens of people, police officials said. (Photo by Karim Kadim/AP Photo)

Boys walk near a damaged building in the rebel held besieged city of Douma, in the eastern Damascus suburb of Ghouta, Syria December 30, 2016. (Photo by Bassam Khabieh/Reuters)

Men dressed as soldiers pose with models before the opening of the Gamescom 2013 fair in Cologne,Germany, on August 23, 2013. The Gamescom convention is Europe's largest video games trade fair. (Photo by Ina Fassbender/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

Aquarium visitors attend a dinner party in an underwater tunnel in Tianjin, China on September 15, 2016. Tianjin Haichang Polar Ocean World opened in the city of Tianjin, southeast of Beijing, in 2010. It gives visitors a chance to see more than 150 large animals from the Arctic and Antarctic regions, including polar bears. (Photo by Feature China/Barcroft Images)

A humanoid robot named “Yangyang” shows a facial expression during its demonstration at the Global Mobile Internet Conference (GMIC) 2015 in Beijing, China, April 29, 20155. The android was produced jointly by China's Shanghai Yangyang Intellegent Robot Science Service center and Japanese professor Hiroshi Ishiguro, with the aim of popularising robotics among the young. (Photo by Kim Kyung-Hoon/Reuters)