A Nepalese vetinary and technical team release a rhino after it is relocated in Chitwan National Park some of 250 Kilometer South of Kathmandu on April 4, 2017. Conservationists on April 3 captured a rare one-horned rhinoceros in Nepal as part of an attempt to increase the number of the vulnerable animals, which are prized by wildlife poachers. Five rhinos – one male and four female – will be released into a national park in Nepal's far west over the coming week in the hope of establishing a new breeding group. (Photo by Prakash Mathema/AFP Photo)

Female soldiers of Tigray Defence Force (TDF) celebrate while they sit on men's shoulders as people celebrate their return on a street in Mekele, the capital of Tigray region, Ethiopia, on June 29, 2021. Rebel fighters in Ethiopia's war-hit Tigray seized control of more territory on June 29, 2021, one day after retaking the local capital and vowing to drive all “enemies” out of the region. (Photo by Yasuyoshi Chiba/AFP Photo)

A female referee counts as member of Uganda's Soft Ground Wrestling is pinned to the ground during a training session at their camp in Mukono on February 28, 202. Uganda's Soft Ground Wrestling is getting attention worldwide and becoming an Internet sensation. Members showcase their wrestling skills on their YouTube channel, performing inside makeshift bamboo ring posts with string ropes and soil. Currently, Soft Ground Wrestling has 200 members, most of them from unprivileged backgrounds, and include both men and women training vigorously as they dream of becoming professional wrestlers. (Photo by Badru Katumba/AFP Photo)

“Weapons Instructor”, 2012. It’s a well known fact that the IDF trains some of the best soldiers in the world, but at the source of every good soldier lies an exceptional instructor – and that’s where Cpl. Daniella Stepanoe steps in. She travels from base to base training everyone from paratroopers to elite special forces units in the use of their weapons. (Photo by Israel Defense Forces)

A Russian trenchmortar crew run to take up a new firing position in the Stalingrad area during the Great Patriotic War. (Photo by Keystone/Getty Images). October 1942

Photo: Vladimir Ilyich Lenin (1870 – 1924) lying in state in the Kremlin. (Photo by Hulton Archive/Getty Images). 1924

Important! For the same article in Russian language click here.

Something quite intriguing is happening within Russian-speaking internet during the last few – should you type a fully academic inquiry (at least, according to Russian academic requirements) in national search engines for "Lenin's mausoleum" – the first thing you get (even in top 10 searches) is website pages talking about black magic and occult. Website authors view this construction differently, but unconditionally agree on one thing: the mausoleum of the "leader of the world proletariat” – the essence of a magical artifact, a sort of “energy vampire”. It was built with a certain purpose: to drain the energy out of miserable Soviet citizens on one hand; and to poison the anthroposphere of one-sixth part of the earth with its vibes (the exact territory that was occupied by the former Soviet Union), depriving the Russian people of will to resist on the other hand. Complete nonsense? No doubt. Nevertheless, an intriguing one. Well, probably because some oddities do exist in mausoleum's history. These oddities are the thing we are going to discuss this time. First, let me refresh you memory on the subject.

A view of a large poster depicting Russian opposition leader Alexei Navalny behind bars with a dove freeing him from detention, by an unidentified street artist known as Harry Greb, in downtown Rome, Italy, 25 January 2021. Navalny was detained after his arrival to Moscow from Germany on 17 January 2021. A Moscow judge on 18 January ruled that he will remain in custody for 30 days following his airport arrest. Navalny urged Russians to take to the streets to protest against President Putin's rule. (Photo by Fabio Frustaci/EPA/EFE)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.