Kashir Mir, 34, poses for a photograph at his workplace, Juliet Wig Shop, in the London constituency of Brent Central, Britain, April 13, 2015. Mir, who was born in Pakistan, said: “I will vote but it's a secret. I also hope they can manage immigration better as I have been stopped and interviewed for hours returning from Pakistan. I'm an honest man, working here and paying my tax”. Brent, a northwest London neighbourhood that's home to Wembley football stadium, is among the most ethnically diverse areas in the United Kingdom. As the country approaches a closely fought election on May 7, Reuters photographer Eddie Keogh visited shopkeepers to get their views on the poll. (Photo by Eddie Keogh/Reuters)

Photographer Andy Hall joins the thousands of fans from west Africa who have gathered for Baaba Maal's annual Blues du Fleuve festival in Senegal. Here: Dancers wait to perform on stage. (Photo by Andy Hall/The Observer)

LA-based photographer Mike Kelley has been working on his amazing “Airportaits” for two years. He racked up racked up more than 74,000 air miles on 25 flights to complete the series. (Photo by Mike Kelley/SWINS)

Clark was the guy who was photographed dropping into stupidly heavy Waimea shorebreak a few years back. Always admired him for that. I've swum in that shoredump and it's fu*cking heavy!
I also contracted some crazy tropical disease digging out Waimea river, but that's another story altogether!

'The Dutch charity organization Mensen in Nood (people in need) hits the streets with a remarkable campaign. People in need are posing with the typical attributes of consumer culture. The price of a designer handbag (€32) is compared with the price of a whole week of food (€4), The price a pint of beer (€4.50) with the price of 50 liter clean water (€1.50). The pictures were taken by Swedish fashion photographer Carl Stolz.' - Occupy Design UK

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.