Costumed dancers parade on the first day of the annual Qoyllur Rit'i festival on May 27, 2018 in Ocongate, Peru. Every year, since 1783 in the Sinakara Valley at the foot of Mt Ausagante, the Qoyllur Rit'i, or “Snow and Star” festival draws tens of thousands of pilgrims from across the Peruvian Andes and beyond to what is the biggest religious gathering of its kind. Since 1780 the event merged into a mosaic of indigenous, pagan and Catholic worship when an image of Jesus appeared on a boulder after the death of a young shepherd. (Photo by Dan Kitwood/Getty Images)

Alex Prager is an American art photographer and filmmaker based in Los Angeles. Her photographs primarily use staged actors, models and extras to create “meticulously designed mise en scène”, often described as film-like and hyperreal. “Alex Prager: Silver Lake Drive” is at the Photographers’ Gallery, London, 15 June – 14 October 2018. Here: The Big Valley, Susie and Friends, 2008. (Photo by Alex Prager Studio/Lehmann Maupin Gallery)

Viagra Boys – Ain't Nice. Viagra Boys are a Swedish post-punk band from Stockholm. In 2018, they released their first album, Street Worms. Nils Hansson, a journalist at the newspaper Dagens Nyheter described the band favorably, praising their musical style, as well as their use of black humor and satire, and rated the album a five out of five. In 2019, the band won the Independent Music Companies Association (IMPALA) Album of the Year Award for Street Worms.

A model gets ready backstage during the Tbilisi Fashion Week in Tbilisi, Georgia, on October 27, 2017. The presentation of the Spring/Summer 2018 collections runs from 27 to 30 October. (Photo by David Mdzinarishvili/Reuters)

“Grit and Glamour”, a retrospective of the late British photographer Elsbeth Juda, who fled Nazi occupation and came to England in 1933, is at the Jewish Museum, in London, until July 1, 2018. Here: Shelagh Wilson, Copacabana beach, Rio de Janeiro, 1951. (Photo by Elsbeth Juda Archive/Victoria and Albert Museum)

Eight year-old Maya Mohammad Ali Merhi walks using prosthetic legs made by her father from tin cans in a camp for displaced people, in the northern Syrian province of Idlib on June 20, 2018. Maya and her father were both born without lower limbs. Unable to afford real prosthetic limbs, her father made her a pair out of tin cans filled with cotton and scrap pieces of cloth. Maya's family had to leave their home in the Aleppo province to flee battles. (Photo by Aaref Watad/AFP Photo)

In this August 24, 2018 photo, Changlair Aristide pauses for a portrait, wearing his protective clothing, including an old U.N. peacekeeper's jacket he found in the trash, before scavenging the Truitier landfill in the Cite Soleil slum of Port-au-Prince, Haiti. Before 2004, Aristide recalled having enough money to splurge on shoes, T-shirts and pants, but this year he could not buy his kids anything new for the school year. “Life is like that, up and down”, Aristide said. “They'll go to school anyway, even if I have to sell my pig. I love them”. (Photo by Dieu Nalio Chery/AP Photo)

In this photo taken Wednesday, December 5, 2018, a woman who scavenges recyclable materials from garbage for a living is seen through a cloud of smoke from burning trash, surrounded by Marabou storks who feed on the garbage, at the dump in the Dandora slum of Nairobi, Kenya. As the world meets again to tackle the growing threat of climate change, how the continent tackles the growing solid waste produced by its more than 1.2 billion residents, many of them eager consumers in growing economies, is a major question in the fight against climate change. (Photo by Ben Curtis/AP Photo)