A replica model of a Lamborghini Aventador LP 700-4 in Dubai, UAE. This is the world's most expensive model car, made from carbon fibre and covered in a thin layer of pure gold. The 1:8 scale replica Lamborghini Aventador LP 700-4, designed by German engineer Robert Gülpen, is available to buy for £200,000. But amazingly this model – currently on display at the Lamborghini showroom in Dubai – is just a prototype for a solid gold model, which will go up for auction in 2014 with a price tag of £4.6 million. (Photo by Robert Gulpen/Barcroft Media)

A hat and boots belonging to a volunteer with the Israeli Antique Authority are seen inside the Cave of the Skulls, an excavation site in the Judean Desert near the Dead Sea, Israel June 1, 2016. A team of volunteers and archaeologists are searching for remains of The Dead Sea Scrolls, one of the oldest known Hebrew texts, in a national bid, initiated by the Israel Antiquities Authority (IAA), to prevent the robbery of such important artefacts and once found to hand them over to the state for preservation. (Photo by Ronen Zvulun/Reuters)

Ratana Das, 40, a female vendor, carries sacks full of clothes at a second-hand clothing market early morning in Kolkata, India, March 10, 2016. Das said she was born and brought up in Kolkata and feels proud being a resident of the city that gives her he opportunity to be financially independent. (Photo by Rupak De Chowdhuri/Reuters)

A major new exhibition exploring the irresistible force of cuteness in contemporary culture at Somerset House, London on January 24, 2024. From emojis to internet memes, video games to plushie toys, food to loveable robotic design, cuteness has taken over our world. (Photo by Paul Quezada-Neiman/Alamy Live News)

An artwork by artist Chavis Marmol, a Tesla 3 car crushed by a nine-ton Olmec-inspired head, is pictured in Mexico City on March 13, 2024. (Photo by Carl de Souza/AFP Photo)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

A girl carries on her head a pile of dried shrubs she gathered for cooking and heating, in Kabul, Afghanistan November 18, 2015. (Photo by Omar Sobhani/Reuters)