Cole Yeoman steps over a large crack along River Road, Avonside on February 25, 2011 in Christchurch, New Zealand. The death toll has risen to 113 and the hope for finding survivors is fading as rescuers search through debris for over 200 still missing following a 6.3 magnitude earthquake that struck Christchurch on Tuesday. The quake, which was an aftershock of a 7.1 magnitude quake that struck the South Island city on September 4, 2010, has seen damage and fatalities far exceeding those of the original. (Photo by Martin Hunter/Getty Images). CHRISTCHURCH, NEW ZEALAND – FEBRUARY 25

A protester holds a sign in front of riot policemen during an anti-G20 demonstration through the streets of Nice on November 1, 2011 in Nice, France. Anti-G20 demonstrators are gathered in Nice ahead of the arrival of the world's top economic leaders for the G20 summit in Cannes on November 3rd and 4th. The leaders are expected to debate current issues surrounding the global financial system in the hope of fending off a global recession and finding an answer to the Eurozone crisis. (Photo by Christopher Furlong/Getty Images)

The photos, created by Tito Mouraz in Portugal, look too surreal, and it takes a while to realize that these are actually not painting but reality. The way people can completely transform the terrain is very reminiscent of the way people tend to change themselves. Chip away the granite of their soul, turning it into something that fits their idea of perfection. However, in the end, most of them end up with an obscene parody of beauty, rather than something truly marvelous. The reason for it is probably that people are actually oblivious to the true image of beauty, making them stumble around in the dark, hoping to find something that might not exist at all. (Photo by Tito Mouraz)

For some reason, everything that comes from Australia is either very cute or very poisonous; sometimes cute and poisonous at the same time. For example, Slow Loris, which you probably have seen eating a ball of rice on YouTube, is actually a very poisonous creature, despite its extreme cuteness. Goodfellow’s tree-kangaroos, on the other hand, are all cuteness and no poison. Just look at its cute little snout and furry paws, as it gingerly scratches its stomach, while sitting on its hind legs! If you don’t find this creature adorable, nothing will be able to thaw your stone-cold heart.

Looking for an escape from the daily realities of crisis-ridden Venezuela, Carmen Gomez finds solace receiving visitors on the roof of her Caracas apartment building every morning: groups of blue and gold macaws that arrive at daybreak. Here: A macaw lands in Carmen Borges' hand while she stays at a rooftop of a building in Caracas, Venezuela, June 12, 2019. (Photo by Manaure Quintero/Reuters)

“Left behind” children Luo Hongni, 11 (L) and brother Luo Gan,10, carry flowers to be used as feed while doing chores in the fields on December 18, 2016 in Anshun, China. Like millions of Chinese children, the four Luo siblings are being raised by their grandparents in rural China as their parents left to find work in urban areas. (Photo by Kevin Frayer/Getty Images)

Being able to look at this world in a different light is the main thing that distinguishes a true artist from a common person. We can clearly see that Lucas Levitan is a true artist despite the crude drawings that he makes. By hunting through thousands of photos that people post on Instagram, he finds the ones that might have a completely different, surprising, and comical theme. For example, a sensual photo of lady’s eyelashes is transformed into a scene in which a farmer is harvesting his crops. This is imagination at its finest, which is why the art works of Lucas Levitan are so interesting to look at. (Photo by Lucas Levitan)

Leaves and forest foliage claim abandoned motors at makeshift car graveyards. German photographer Dieter Klein travels the world to find vintage automobiles left to rust in leafy forests and fields. Here: Seemingly camouflaged cars are stacked on top of each other causing them to blend in with the landscape, in 2013, France. (Photo by Dieter Klein/Barcroft Media)