A man performs ablution using water at an old fountain before performing prayers in the old city of Algiers Al Casbah, Algeria December 3, 2015. The Algiers Casbah is a UNESCO World heritage site that includes the Sidi Ramdane mosque and former fortress, 10 centuries old. Decay from the passing years, as well as earthquake damage in 2003, leads some to consider a move to modern apartments with financial backing from the government. Others refuse to leave a neighbourhood they have called home for decades. (Photo by Zohra Bensemra/Reuters)

Due to the influence of Sci-Fi movies, many of us have an obsession with giant robots. How cool would it be to ride a gigantic robotic dinosaur or elephant? It would be even cooler to control one! Regretfully, the modern technologies are not yet sophisticated enough to fulfill this dream. Pierre Orefice and François Delarozière, however, came very close. These two artists have made it their goal to turn Nantes, France, into a hot tourist destination spot for people who love robots. In their project of Machines de l'île in Nantes, they have created a whole park of robotic monstrosities, ranging from a giant 3 story high elephant to a 2 meter long centipede crawling on a rail track.

An original 1850 puntabout rugby football is displayed at Rugby School in central England, March 18, 2015. Rugby School is known as the spiritual home of rugby. According to a popular version of the game's origins, it was on the school's playing field that in 1823, in a game that could loosely be described as football but was more like a brawl, a pupil called William Webb Ellis caught the ball and, instead of kicking towards the goal, sprinted with it – breaking the code and laying the way for modern-day rugby. (Photo by Neil Hall/Reuters)

Born in 1958 in Abbazia, Italy, Frank Horvat is considered one of the founding fathers of French fashion photography. Frank Horvat: Storia di un Fotografo is on at Palazzo Chiablese Musei Reali, Turin, until 16 June. Here: Prostitutes, Bois de Boulogne, 1956. (Photo by Frank Horvat/The Guardian)

A dhobi, or a washerman washes cloths on the banks of the River Gomti in Lucknow, India, Saturday, September 12, 2020. Dhobis are traditional laundry workers who wash clothes by hand and dry them in the sun, an occupation which has been in existence for generations. Most cities in India have a Dhobi Ghat, or washermen's area, where the city's pile of clothes is laundered. This practice is still popular in India, despite of modern technology. Around 1,000 families work in Lucknow's Dhobi Ghat. However, in light of the novel coronavirus, their wages have decreased drastically. With each family earning around US$100-200 per month. (Photo by Rajesh Kumar Singh/AP Photo)

Mohamed Mostafa, 35, carries dyed yarns at a dye workshop in old Cairo, Egypt, March 17, 2016. Egypt's hard currency crisis and competition from modern factories in Asia and at home threaten one of the last dye workshops in Egypt. But one of its owners takes comfort in the trade's ancient resilience. Mohamed Mostafa boasts that the profession dates back 3,000 years, so it can survive anything. (Photo by Amr Abdallah Dalsh/Reuters)

“Elat’ma, the Ryazan Oblast region of Russia. This small town is only 300 kilometers (186 miles) from modern Moscow but remains 60 years in the past, dominated by the spirit of socialism. The air of the communist ‘50s can be seen in the town’s architecture, celebrations and other occurrences. But neither its beauty nor its ties to a socialist past brought photographer Anastasia Rudenko to this village. Elat’ma is unique in that it functions as a town for mentally disabled people”. – Michelle Cohan via CNN. (Photo by Anastasia Rudenko)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)