South Korea's Lee Dae-ho is hit by a pitch off Taiwan's pitcher Pan Wei-lun during the second inning of their first round game of the World Baseball Classic at Gocheok Sky Dome in Seoul, South Korea, Thursday, March 9, 2017. (Photo by Ahn Young-joon/AP Photo)

Attendees wear a cardboard “Facebox” at the 2017 South By Southwest (SXSW) Interactive Festival at the Austin Convention Center in Austin, Texas, U.S., on Monday, March 13, 2017. The SXSW Interactive Festival features a variety of tracks that allow attendees to explore what's next in the worlds of entertainment, culture, and technology. (Photo by David Paul Morris/Bloomberg)

Ferrari driver Fabio Barone and his Ferrari 458 Italia competes against a Roman chariot drawn by two horses on “Ben Hur” movie set at Cinecitta World amusement park on May 11, 2017 in Castel Romano near Rome. (Photo by Andreas Solaro/AFP Photo)

A pitch invader attempts to evade a security official during the 2019 Cricket World Cup group stage match between England and New Zealand at the Riverside Ground, in Chester-le-Street, northeast England, on July 3, 2019. (Photo by Lee Smith/Action Images via Reuters)

Pascal Martinot-Lagarde, of France, celebrates his bronze medal in the men's 110 meter hurdles final at the World Athletics Championships in Doha, Qatar, Wednesday, October 2, 2019. (Photo by Petr David Josek/AP Photo)

Gymnast Simone Biles performs a flip after throwing out the ceremonial first pitch prior to Game Two of the 2019 World Series between the Houston Astros and the Washington Nationals at Minute Maid Park on October 23, 2019 in Houston, Texas. (Photo by Tim Warner/Getty Images)

Katie Boulter celebrates winning her match against Kazakhstan for Great Britain who went on to win the Federation Cup Tennis World Group II play-off at Copper Box Arena in London, England on April 21, 2019. (Photo by Shaun Brooks/Action Plus via Getty Images)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)