Candybar Carpet was commissioned by Slokdarm festival, Veghel, The Netherlands. And was exhibited in the old CHV factory just outside the city.

Bangladesh soldiers carry a woman survivor from the rubble at the site of a building that collapsed Wednesday in Savar, near Dhaka, Bangladesh, Thursday, April 25, 2013. By Thursday, the death toll reached at least 194 people as rescuers continued to search for injured and missing, after a huge section of an eight-story building that housed several garment factories splintered into a pile of concrete. (Photo by Kevin Frayer/AP Photo)

A dog at the Zoozashchita-NN veterinary clinic in Nizhny Novgorod, Russia on February 19, 2021. On February 13, 13 stray dogs with bright blue fur were found and caught at the Dzerzhinskoye Steklo (Dzerzhinsk Glass) factory producing acrylic glass and prussic acid in the city of Dzerzhinsk. The dogs' fur tested positive for the Prussian blue pigment; now the dogs are under supervision at the Zoozashchita-NN vet clinic in Nizhny Novgorod. (Photo by Mikhail Solunin/TASS)

Workers demonstrate outside the factory of Hua Yang Printing Holdings Co Ltd on October 30, 2007 in Shenzhen of Guangdong Province, China. Over 1,000 workers of the company have blocked the 107 State Highway where the firm is located, to protest against their employer, who owed half a month's salary to the workers. (Photo by China Photos/Getty Images)

A member of the Qinghai Acrobatic Troupe checks her hair with a smartphone during a media preview for the world premiere of cabaret show “Shanghai Mimi” as part of Sydney Festival in Chinatown, central Sydney, Australia, 08 January 2019. Sydney Festival 2019 runs from 09 to 27 January and will feature theatre, dance, circus, music, visual arts and talks from international and local artists. (Photo by Steven Saphore/EPA/EFE)

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

After school and civil service, Thomas Mangold went off to study Visual Communications in Dortmund where he still lives. During these studies, he had the opportunity for an internship at the advertising agency Grey Dusseldorf and also began to receive invites to publish his photographic series in magazines. Around this time, a new professor at the college arranged a one week intensive seminar in Strata 3D.