Revelers celebrate New Years Eve in socially distanced pods at Times Square on December 31, 2020, in New York City. On average, about one million revelers are drawn to the Crossroads of the World to watch performances and celebrate the New Year. This year a limited live audience of about 40 first responders and essential workers will be allowed to watch the New Years' ball drop from a secure area in Times Square. (Photo by David Dee Delgado/Getty Images)

«Little Red Riding Hood». “The moment I pulled this sweater out of the drawer for Frankie I knew what I wanted for my picture today. I envisioned the look, the style, and the composition. When working with a 2 year old it is never easy to actually get the shot you want, especially when they decide to skip nap time. But I really like how this one turned out” – Rich. (Photo by Rich)

Boards stand lined up at the Rocinha Surf Association, ASR, headquarters at Rocinha slum in Rio de Janeiro, Brazil, Thursday, July 2, 2015. ASR has given free lessons to over 2,000 children from Rio's shantytowns in the hopes of keeping the boys, who are mostly in their early teens and a few girls occupied by the sport and off the streets. (Photo by Felipe Dana/AP Photo)

A fisherman carries his catch to sell on the beach in Libreville, Gabon, February 3, 2017. (Photo by Mike Hutchings/Reuters)

Two rescued pangolins sit in a basket during a news conference in Bangkok on June 7, 2012. Thai customs rescued 110 pangolins worth about $35,500 that they say were to be sold outside the country as exotic food. The animals, hidden in a pickup truck, were seized at a customs checkpoint in Prachuap Khiri Khan province, south of Bangkok. (Photo by Sakchai Lalit/Associated Press)

Sultan, a famous captive fennec that is displayed tied on a rope in front of a tourist shop, is the main attraction in the souk of Douz, a desert town in Tunisia. By the display of such a charismatic animal, tourists are often lured to buy things or pay for pictures. On inquiry, although Sultan has been caught as a pup in the wild, the owners of the shop reassure the foreigners stating that the animal is ‘domestic’. (Photo by Bruno D’Amicis/Fritz Pölking Prize/GDT EWPY 2015)

“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)