Aluminium ingots are stored at a foundry shop of the Rusal Khakassia aluminium smelter outside the town of Sayanogorsk, Russia, September 3, 2015. Russia's Rusal has decided to delay a decision on its possible first dividend since listing five years ago though its second-quarter core profit more than doubled thanks to cost cuts and a weaker rouble. (Photo by Ilya Naymushin/Reuters)

Fire photographer Tod Sudmeier gets hit with flying embers from strong winds at the Solimar brush fire that started early Saturday morning in Ventura County, California December 26, 2015. (Photo by Gene Blevins/Reuters)

11th February 1974: A Maori wields his spear to terrifying effect, during the state visit of Queen Elizabeth II and Prince Philip to New Zealand.

A local resident dressed as Yamraj or Hindu god of death, wearing a novel coronavirus-themed balloon necklace, gestures as he poses during an awareness about social distancing and staying at home organised by Delhi police during a nationwide lockdown to slow the spreading of the coronavirus disease (COVID-19), in New Delhi, India, April 28, 2020. (Photo by Adnan Abidi/Reuters)

Dancers of the Moulin Rouge cabaret adjust their boots prior to a show on April 22, 2014 in Paris. Since 1945, the “Maison Clairvoy” is specialised in the creation of luxury shoes and started in 1960 a collaboration with the famous Moulin Rouge to create boots and shoes for French Cancan dancers. (Photo by Franck Fife/AFP Photo)

Shuichi Mizoguchi is the forerunner of Japanese digital graphic art. He is known for his fantastic Japanese feminine beauty imagery. SHU can get the best of his talent to use various colors freely and uniquely to create fantastic imagery of ancient scenery, robots on top of the Japanese feminine beauty. His imagery has been captivated by Japanese young and middle class generations.

Plaster cast moulds of victims of the Mount Vesuvius eruption lie on a display table in a laboratory at Pompeii October 13, 2015. An expert team made up of archaeologists, radiologists, orthodontists and anthropologists began on September 2015 to use CAT scan technology (computerised axial tomography) to peer inside the plaster cast moulds of Pompeii's victims, in a study that has added more detail to previous findings. A 16-layer scan had to be used in order to penetrate the hardened plaster but the results showed up impressive skeletal remains and near perfect teeth. (Photo by Alessandro Bianchi/Reuters)

Dancers at the Windmill Theatre in London, England practice a routine wearing gas masks and hard-hats with their costumes, 1940. (Photo by Hulton Archive/Getty Images)