Teeming with images of spectacular underwater scenes from around the world, Call of the Blue is the culmination of a five-year project by the photographer and ocean conservationist Philip Hamilton. This groundbreaking book includes contributions from acclaimed scientists and ocean “guardians”, who reveal what drove them to answer the call of the blue. (Photo by Philip Hamilton/The Guardian)

Members of the Oath Keepers and general public return fire during a simulated attack as they take part in a tactical training session in northern Idaho, U.S. October 1, 2016. In April 2015 Reuters photographer Jim Urquhart was assigned to cover the Oath Keepers during a tour of the Sugar Pine gold mine in Oregon after the group of former cops, military, firefighters and other first responders had risen to prominence during a standoff in Nevada over land rights. (Photo by Jim Urquhart/Reuters)

Joseph Ford is a 39-year-old photographer from Brighton, UK. He creates images seamlessly camouflaging people into backgrounds using knitwear made by Nina Dodd. It can take Dodd, 51, up to 40 hours to knit one item of clothing. This image of a man posing in knitwear, camouflaging into tiles of the steps and wall, is a personal favourite of Joseph’s. (Photo by Joseph Ford/South West News Service)

“Grit and Glamour”, a retrospective of the late British photographer Elsbeth Juda, who fled Nazi occupation and came to England in 1933, is at the Jewish Museum, in London, until July 1, 2018. Here: Shelagh Wilson, Copacabana beach, Rio de Janeiro, 1951. (Photo by Elsbeth Juda Archive/Victoria and Albert Museum)

In the build-up to Halloween those hunting for a real-life ghost town need look no further than this haunting spot. Bodie, California, USA – which requires special access to photograph at night – is one of the best preserved ghost towns in America, still featuring the abodes of the former miners who inhabited it more than 100 years ago. Here: Bodie, California, a real-life ghost town. (Photo by Matthew Christopher/Caters News Agency)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)

Call Parade is an ongoing public art project in São Paulo sponsored by Brazilian telecommunications firm Vivo, that paired 100 artists with 100 street-side phone booths giving them free reign to transform the peculiar hooded fixtures into anything imaginable. The exhibition has proven to be extremely popular and Brazilian photographer Mariane Borgomani set out to capture a number of the phones, my favorite of which is the painted day/night treatment above by artist Maramgoní.

In his book “Side Effects”, aerial photographer Kacper Kowalski took to the skies to paint a portrait of the complex relationship between humans and nature. From the sky, he captured where nature and civilization collide into aesthetic, abstract colors and shapes. Photo: A view over fields of grain in Spring chamomile, cornflower and other weeds growing amongst the grain sprouts. (Photo by Kacper Kowalski/Panos Pictures)