A truck carrying iron ore moves along a road at the Fortescue Metals Group (FMG) Christmas Creek iron ore mine located south of Port Hedland in the Pilbara region of Western Australia, November 17, 2015. (Photo by Jim Regan/Reuters)

A niqab-wearing Salafist protester takes a selfie as she attends a demonstration against the ban on the sale and manufacturing of the full-burqa in Rabat January 15, 2017. (Photo by Reuters/Stringer)

Shot by Bert Hardy, the black and white images show prisoners carrying out remedial tasks such as untying knots in post office string and sewing mail bags. Other intriguing shots show lags doing their daily one hour outdoor exercise, being frisked for contraband items by officers during a routine “rub down” and serving evening meals. Strangeways was designed by Alfred Waterhouse and cost £170,000 ($207,910) to build. The prison, famed for its prominent ventilation tower and imposing design, has become a local landmark. Here: A prison officer frisking prisoners during the “rub-down” at Strangeways Prison in Manchester, UK on November 1948. (Photo by Bert Hardy/Picture Post/Hulton Archive/Getty Images)

Female police officers from Istanbul's Motorcycled Police Unit wait to search vehicles during a roadside checkpoint operation on March 7, 2017 in Istanbul, Turkey. The rapid response unit nicknamed Dolphins is used primarily in crime prevention operations and has 25 female officers. 6% of Turkey's 250,000 strong police force are women, March 8 marks International Women's Day. (Photo by Chris McGrath/Getty Images)

In this photo taken on Saturday, April 22, 2017, a drawing “King for a day” is made on the back of a muddy truck by artist Nikita Golubev in Moscow, Russia. The grimy trucks traversing the polluted and dusty streets of Moscow have inspired Golubev to use white vans and trucks as his canvas to create this ephemeral street art and signs his drawings Pro Boy Nick. (Photo by Pavel Golovkin/AP Photo)

A visitor and an employee dressed as Snegurochka (Snow Maiden), the granddaughter of Ded Moroz (Russian equivalent of Santa Claus), pose for a picture inside an upside down house, constructed as an attraction for local residents and tourists and located at the Royev Ruchey Park of Flora and Fauna in the suburbs of Krasnoyarsk, Russia, December 7, 2016. (Photo by Ilya Naymushin/Reuters)

Earlier this year, Belgian film-maker and artist Vincent Bal stumbled upon an uncanny resemblance to an elephant in the shadow of his tea cup. This gave him the idea for Shadowology, a series of doodles that interact with the shadows of simple, everyday objects: a banknote, some ice cubes and a flower, for example, can turn into a church, a woman and a hippy. “I draw a few lines and I get my image. It’s really the shadows that inspire me”, Bal says. Here: “Stonedog”. (Photo by Vincent Bal/The Guardian)

Sustainable development goal target 12.5 is to reduce waste. But with a planet increasingly dependent on technology, is that even possible? As of today, over 30m tonnes of electronic waste has been thrown out so far this year, according to the World Counts. Most e-waste is sent to landfills in Asia and Africa where it is recycled by hand, exposing the people who do it to environmental hazards. Kai Loeffelbein’s photographs of e-waste recycling in Guiyu, southern China show what happens to discarded computers. (Photo by Kai Loeffelbein/laif Agentur)