Sally Gomez drives to rescue of friend Michele Moore in flooded parking lot at Hyannis, Mass., September 9, 1969, after torrential rains of Hurricane Gerda flooded low areas of Cape Cod. Ann Davis of Osterville stands up in roof opening to lend a hand. Sally and Michele are from Centerville on the Cape. (Photo by Frank C. Curtin/AP Photo)

Visitors are seen with giraffes on a bus at Safari Park in Kanchanaburi Province, Thailand, January 19, 2020. Kanchanaburi in western Thailand an area known for its waterfalls and caves. (Photo by Rachen Sageamsak/Xinhua News Agency/Eyevine)

A man walks by as tourists take selfies on the French Riviera city of Nice on June 24, 2019, as temperatures soar to 33 degrees Celsius. Forecasters say Europeans will feel sizzling heat this week with temperatures soaring as high as 40 degrees Celsius (104 degrees Fahrenheit) in an “unprecedented” June heatwave hitting much of Western Europe. (Photo by Valery Hache/AFP Photo)

A rusty revolver is seen near the body of a man, who police said was killed by police operatives, and two sachets of “Shabu” or methampethamine chloride were found on his pockets in Manila, Philippines August 17, 2017. (Photo by Erik De Castro/Reuters)

In this photo taken Wednesday, December 5, 2018, a woman who scavenges recyclable materials from garbage for a living is seen through a cloud of smoke from burning trash, surrounded by Marabou storks who feed on the garbage, at the dump in the Dandora slum of Nairobi, Kenya. As the world meets again to tackle the growing threat of climate change, how the continent tackles the growing solid waste produced by its more than 1.2 billion residents, many of them eager consumers in growing economies, is a major question in the fight against climate change. (Photo by Ben Curtis/AP Photo)

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.