It is already one of the world’s most iconic cities, but this incredible collection shows how much Paris has changed over the course of the past century. The collection, by French photographer Julien Knez, shows Paris in the 1940s against a backdrop of how the same places look today. Knez says he put the striking collection together to celebrate the 71st anniversary of the city’s liberation from Nazi control in August 1944. Here: Soldiers outside the Hotel De Ville in the 1940s. (Photo by Julien Knez/Caters News)

These stunning photographs may look like alien planets, but they are actually satellite images of planet Earth. Commercial satellite company DigitalGlobe recently released the images as a way of highlighting the incredible detail of their imagery – the highest-resolution commercial satellite imagery in the world. Some of the images – taken above Afghanistan, Algeria, Peru, Russia and the United States – look more like abstract works by Mondrian than segments of the globe. DigitalGlobe, based in Westminster, Colo., launched its first satellite in 1999 and currently has four in operation. Here: Trementina, New Mexico. (Photo by DigitalGlobe/Caters News)

Members of the Oath Keepers and general public return fire during a simulated attack as they take part in a tactical training session in northern Idaho, U.S. October 1, 2016. In April 2015 Reuters photographer Jim Urquhart was assigned to cover the Oath Keepers during a tour of the Sugar Pine gold mine in Oregon after the group of former cops, military, firefighters and other first responders had risen to prominence during a standoff in Nevada over land rights. (Photo by Jim Urquhart/Reuters)

Corey Arnold is a fine art photographer and a commercial fisherman, working the stormy waters of the Bering Sea by Alaska. His latest work documents life in this remote wilderness, both at sea and on the shore, capturing trawlers, foxes, eagles and the grandeur of the scenery. “Aleutian Dreams” can be seen at Charles A Hartman Fine Art in Portland, Oregon, until 27 May. Here: “Roadside Friend”. (Photo by Corey Arnold/Charles A. Harman Fine Art/The Guardian)

Award-winning photographer Barry Lewis has been picturing the weird and wonderful late-night Glastonbury experience for more than a decade. Shangri-La is a festival of contemporary performing arts held each year at Glastonbury festival, and Barry Lewis has documented its denizens. Here: Spa in Slumbarave’s Hotel Metropolis, Shangri-La, Glastonbury, 2009. (Photo by Barry Lewis/The Guardian)

Three elephant seals put on a show in Roie Galitz's “Three Tanors”, taken on January 7, 2016 in South Georgia Island. The Comedy Wildlife Photography Awards are in full swing, so check out some of the fierce competitors jostling for the top prize this year. Photographers Paul Joynson-Hicks MBE and Tom Sullam founded the awards to spotlight wildlife conservation efforts and to inject some humour into the world of wildlife photography. (Photo by Roie Galitz/CWPA/Barcroft Images)

Two holy men with a decorative faces and headdresses, taken in Kathmandu, Nepal. Wandering through the cities and forests of Nepal are the holy men, or Sadhus, who have left all materialistic pleasures behind to live a life devoted to God. Their appearances vary from brightly coloured face paints, and decorations, to minimalistic practical clothing, but they all represent the fundamental values and meanings of Hinduism. Danish photographer Jan Moeller Hansen visited the ancient capital city of Kathmandu between 2013 and 2016 and documented the mysterious holy wanderers. (Photo by Jan Moeller Hansen/Barcroft Images)

Feast your eyes on Europe’s most spectacular car graveyards as discovered by one auto-obsessed explorer who has dedicated over ten years to finding the best cars left to rot in the European wilderness. The beautiful set of images were taken in Germany, Sweden and Belgium by German Civil Servant Robert Kahl (30) using a Nikon D7100. He describes his photographs as showcasing “the beauty of transience and decayed charm”. Here: 1941 Chevrolet 1.5 tonnes are left to rot in a field. (Photo by Robert Kahl/Mediadrumworld)