Revelers dance and shout as they listen to music, in front of the main stage, during the 21st Woodstock Festival in Kostrzyn-upon-Odra, Poland July 31, 2015. An estimated 200,000 people attended the ongoing festival, a brainchild of Polish journalist and social campaigner Jerzy Owsiak, on Friday. Owsiak initiated the event to say thank you to those who donated money to his GOCC charity organisation that delivers medical care for children. (Photo by Kacper Pempel/Reuters)

Santa Claus rides in his sleigh as he prepares for Christmas in the Arctic Circle near Rovaniemi, Finland December 15, 2016. At Santa Claus' Lapland home in Finland, his helpers sort out piles of letters from around the world, each detailing children's requests for this Christmas. (Photo by Pawel Kopczynski/Reuters)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

In this Tuesday, July 14, 2015, photo, Phoe Thaw, center, a member of the White New Blood lethwei fighters club, a Myanmar traditional martial-arts club which practices a rough form of kickboxing, stretches during a practice session in their gym on a street in Oakalarpa, north of Yangon, Myanmar. Three of the club's members competed this summer on a stage a world away from the street gym: a mixed-martial-arts “One Championship” event broadcast globally on cable television networks, where fighters could receive $1,000 for each fight, according to coach Myint Zaw who started the traditional fighters' club 15 years ago. (Photo by Gemunu Amarasinghe/AP Photo)

Nina Leen, one of the first female photographers to work for Life, took pictures for the magazine from 1940 to 1972. In the mid-1940s, her essay, “City Dogs”, featured actors and artists with their pets on the streets of New York City. In late-March, Daniel Cooney Fine Art in New York City, is opening a solo exhibition of Leen’s work that features images from that essay and others. Here: author Fannie Hurst clad in mink coat, enjoying the jumping antics of her Yorkshire terrier Orphan Annie on the street. (Photo by Nina Leen/Pix Inc./The LIFE Picture Collection/Getty Images)

A child, from Municipal school Parana, poses during the project “Fencing School” in Rio de Janeiro, Brazil, March 30, 2016. Children in Rio de Janeiro lift their sights and their swords to new idols, as a round of fencing workshops takes to public schools. The International Fencing Federation, together with the Brazilian and state federations, will reach 40 public schools in March and April. The aim is to whip up a following for the Olympic sport, little known in the soccer-mad nation, as Rio sets the stage for the Summer Games in August. (Photo by Sergio Moraes/Reuters)

Girls play with their new dolls during the distribution of free toys for low-income families and a picture on the lap of one of the Three Wise Men at Almudena Cathedral in Madrid, Spain, December 22, 2015. Traditionally, children in Spain receive their presents delivered by the Three Wise Men on the morning of January 6 during the Christian holiday of the Epiphany. (Photo by Susana Vera/Reuters)