Living on the edge of Exmoor, Rob takes his inspiration from the rolling countryside surrounding his home, where each Bough House sculpture takes several months to construct. The designs do not follow an explicit plan or process, each piece is unique. They evolve and flow freely, as part of a creative journey which has no natural limit, whilst also revealing great logic and engineering integrity. Every aerial walkway or staircase leads to a room - there are no dead-ends and every turret and tower can be reached.

These frozen caves seem almost otherworldly as they daylight illuminates them. Matej Kriz’s shots reveal the beauty of the brilliant caves, but he’s also very aware of how deadly they can be. The photographer captured the amazing shots in the Vatnajokull National Park on the Breidamerkurjokull glacier tongue. Here: The ice caves, taken in the Vatnajokull National Park in Iceland, on November 11, 2017. (Photo by Matej Kriz/Caters News Agency)

This adorable gallery reveals the astonished expressions of dozens of puppies as they try to gobble up treats flying through the air toward them. Photographer Christian Vieler, 48, has been documenting pooches, with their eyes bulging, mouths wide open and looks of love on their faces, in his studio as part of the project “Dogs Catching Treats” since 2013. (Photo by Christian Vieler/Caters News Agency)

Stunning silhouettes under European cities reveal the size and splendor of the continent’s urban foundations. Photographer and content-manager Anna Arinova, 28, from Moscow, captured the awe-inspiring labyrinths in Russia and Germany. Here: Regenwurmlager, Poland. The Regenwurmlager is an extensive underground fortification area constructed by Germany in 1920s-1940s, now in western Poland, near the city of Międzyrzecz. (Photo by Anna Arinova/Caters News)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)

All the people we meet, all the things we know, and all of our experiences shape our souls, forever marking our faces. This was probably the main idea of the performance piece created by Chinese artist Zhang Huan, in which his face was painted over by three calligraphers with the names of people he knew, personal stories, and random thoughts. Truly, it amazing just how much we can find out about a person just by looking at their face. Surely, not everyone has the ability to see into the soul of the person just by looking at their face, but those that do can easily see the person’s personality, their intelligence, and sometimes even get glimpse into their past. Though it sounds like magic to people who don’t have this ability, it is completely true. Somehow, our mind can pick up on the miniscule changes of the facial structure and figure out the dominant facial expressions of that person. (Photo by Zhang Huan)

In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived, chopping wood to heat the house and making their own clothes. Sablin's book of photographs, “Aunties: The Seven Summers of Alevtina and Ludmila”, is published by Duke University Press. Here: “Two-Handed Saw, 2014”. (Photo by Nadia Sablin)

For more than a century, the Barcelona skyline has been graced (or marred, depending on who’s talking) by the spectacle of the Basilica designed by Anton Gaudi, first started in 1882. If you want to know what it’ll look like when finished, don’t fret — 2026 is right around the corner. Or you can watch this video, released last week on YouTube by Basílica de la Sagrada Família and titled simply “2026 We Build Tomorrow,” a 3-D artists’ rendering of the building stages through completion.
(If 144 years sounds like a long time to finish a cathedral, keep in mind that there were decades that they didn’t work on it — and that Notre Dame de Paris took 182 years, although the 13th century Parisians didn’t have diesel-powered industrial cranes.) Now, if only the video could show us what the admission and hours will be in 2026 (and how to avoid the inevitable long lines).