A woman rides a horse through the biannual Stow Horse Fair in the town of Stow-on-the-Wold, southern England on October 24, 2019. The Stow Horse Fair has attracted Gypsy and Traveller people from all over the country to the Cotswold town every May and October since 1476. (Photo by Oli Scarff/AFP Photo)

Wearing his new prosthetic legs Hero gets a taste of shrubbery Wednesday, May 21, 2014, in Houston. The abandoned calf rescued from a Virginia farm a year ago and brought to Texas after it nearly died is getting permanent prosthetics to replace back hooves that had to be amputated because of frostbite. (Photo by Pat Sullivan/AP Photo)

Worker Shi Shenwei pulls a wheelbarrow at the construction site of a Buddhist temple in the village of Huangshan, near Quanzhou, Fujian Province, China, September 28, 2016. For most construction workers, lunch is a welcome break to rest and refuel. Not for Shi Shenwei. the 23-year-old spends his midday break jumping and swinging through a maze of scaffolding poles, performing a fitness routine that has made him China's latest social media sensation. (Photo by Thomas Peter/Reuters)

A dead red-tailed monkey hangs by its tail above the ground, in order to keep it away from ants, in the forest near the city of Mbandaka, Democratic Republic of the Congo, April 5, 2019. Bushmeat hunters are emptying Central Africa's forests at a high rate, researchers say. A growing appetite for wild meat in cities has ramped up the scale of hunting. Research shows around 6 million tonnes of bushmeat are sourced annually from the Congo Basin, whose forest spans across six countries and is second in size only to the Amazon. (Photo by Thomas Nicolon/Reuters)

Miley Cyrus attends the 82nd Golden Globe Awards in Beverly Hills, California, U.S., January 5, 2025. (Photo by Daniel Cole/Reuters)

Camila Iachini, 8, performs with her bike during celebrations for the 400th anniversary of the founding of the neighbourhood Petare, in Caracas, Venezuela on February 17, 2021. (Photo by Leonardo Fernandez Viloria/Reuters)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)