Swedish photographer Paul Hansen won the 2012 World Press Photo award Friday for newspaper Dagens Nyheter with a picture of two Palestinian children killed in an Israeli missile strike being carried to their funeral.

Photo: In this photo provided on Friday February 15, 2013 by World Press Photo, the 2013 World Press Photo of the year by Paul Hansen, Sweden, for Dagens Nyheter, shows two-year-old Suhaib Hijazi and her three-year-old brother Muhammad who were killed when their house was destroyed by an Israeli missile strike. Their father, Fouad, was also killed and their mother was put in intensive care. Fouad's brothers carry his children to the mosque for the burial ceremony as his body is carried behind on a stretcher in Gaza City, Palestinian Territories, November 20, 2012. (Photo by Paul Hansen/Dagens Nyheter/AP Photo)

Cave Diver, Anhumas Abyss, Bonito, Brazil: The Anhumas Abyss is an underground cavern with a crystal-clear lake below, more than 260 feet (79 m) deep. A visitor must enter through a narrow opening at the top of the chamber and rappel into the cave. Snorkeling and scuba diving in the lake reveal amazing scenery. Distinctive, conical limestone stalagmites and stalactites occupy the lake and the surrounding area, some reaching 65 feet (20 m) high. (Photo by Marcio Cabral/Nature’s Best Photography Awards 2017)

Magbola Alhadi, 20, and her three children pose for a portrait in Jamam refugee camp in Maban County, South Sudan on August 11th, 2012. Magboola and her family weathered aerial bombing raids for several months, but decided it was time to leave their village of Bofe the night that soldiers arrived and opened fire. With her three children, she travelled for 12 days from Bofe to the town of El Fudj, on the South Sudanese border. The most important thing that Magboola was able to bring with her is the saucepan she holds in this photograph. It wasn't the largest pot that she had in Bofe, but it was small enough she could travel with it, yet big enough to cook sorghum for herself and her three daughters (from left: Aduna Omar, 6, Halima Omar, 4, and Arfa Omar, 2) during their journey. (Photo by Brian Sokol/Panos Pictures)

The Rio de Janeiro Olympics kick off on August 5 for some two weeks of competitive games drawing athletes as well as audiences from around the world. As they prepare to cover the event, Reuters photographers look back on their favourite pictures from past Olympics where they captured the action on the ground as well as the participants' tears and joy that followed. (Photo by Lucy Nicholson/Reuters)

Bonobo apes, primates unique to Congo and humankind's closest relative, groom one another at a sanctuary just outside the capital Kinshasa, Congo on October 31, 2006. (Photo by Finbarr O'Reilly/Reuters)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

When you think of the People's Liberation Army, you probably don't think of line dancing. But the Chinese military's latest online recruiting video makes a soldier's life look more fun than the macarena. The brief spot, posted last week on the website of the Ministry of National Defense and going viral, features tanks and fighter jets, as well as soldiers dancing in rows to a quirky hit tune by the Chopsticks Brothers called “Little Apple”. Its lyrics include, “You are my little dear little apple/I can never stop loving you”.

The landscape series we’ve selected from Leo Caillard photography is a series of panoramic views of negative and information-filled spaces. The French photographer describes his remarkable work in the following terms: “a landscape series I chose to shoot in very high definition. A work about the action of humans in diverse types of environments; void of activity or full of information.