A woman holding a dog walks out of a plane during a press event introducing Bark Air, an airline for dogs, at Republic Airport in East Farmingdale, New York on May 21, 2024. (Photo by Eduardo Munoz/Reuters)

People visit an installation by the American sculptor, Carole Feuerman, during the exhibition of her hyperrealistic sculptures at Pier 17 in the trendy neighbourhood of Seaport in New York City on June 1, 2024. (Photo by Milo Hess/ZUMA Press Wire/Rex Features/Shutterstock)

A tribal fighter loyal to Yemen's government stands in Al Khurais village of Nihm district east of the capital Sanaa January 11, 2016. (Photo by Ali Owidha/Reuters)

Large trumpet vines spread across electrical lines next to a highway in Kinston, N.C., on June 23, 2014. (Photo by Janet S. Carter/Kinston Free Press via AP Photo)

A competitor shows her tattoos at the MBK Tattoo Contest in a shopping mall in Bangkok October 23, 2014. (Photo by Athit Perawongmetha/Reuters)

A 210-kilogram-weight Epinephelussp was showed at China Fisheries & Seafood Expo in Fuzhou, Fujian, China on 24th October, 2014. (Photo by Top Photo/Sipa Press USA)

In this Wednesday, January 23, 2019, an anti-government protester covers her face with a Venezuelan flag, and uses toothpaste around her eyes to help lessen the effect of tear gas, during clashes with security forces after a rally demanding the resignation of President Nicolas Maduro in Caracas, Venezuela. The head of Venezuela's opposition-run congress declared himself interim president at the rally, until new elections can be called. (Photo by Fernando Llano/AP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)