A young female demonstrator is arrested by police during clashes in the Causeway Bay area of Hong Kong, China on October 6, 2019. Hundreds of thousands of protesters marched through the city's streets in defiance of the new “no-mask” law, which was introduced two days ago as demonstrations roll into a 14th week. (Photo by Rick Findler/EPA/EFE/Rex Features/Shutterstock)

A model poses on Aprilia motorcycle displayed at the Indian Auto Expo in Greater Noida, on the outskirts of New Delhi, India, February 4, 2016. (Photo by Anindito Mukherjee/Reuters)

US Navy personnel walk on the flight deck aboard the USS Nimitz (CVN-68) aircraft carrier during its port visit to Busan on March 28, 2023. (Photo by Anthony Wallace/AFP Photo)

Stumpy the mascot dances near “Stumpy” the cherry tree at the tidal basin in Washington, Tuesday, March 19, 2024. The weakened tree is experiencing its last peak bloom before being removed for a renovation project that will rebuild seawalls around Tidal Basin and West Potomac Park. (Photo by Nathan Ellgren/AP Photo)

Marine One with US President Joe Biden onboard takes off from the South Lawn of the White House in Washington, DC, on April 16, 2024. Biden is travelling to Scranton, Pennsylvania. (Photo by Drew Angerer/AFP Photo)

A woman holding a dog walks out of a plane during a press event introducing Bark Air, an airline for dogs, at Republic Airport in East Farmingdale, New York on May 21, 2024. (Photo by Eduardo Munoz/Reuters)

People visit an installation by the American sculptor, Carole Feuerman, during the exhibition of her hyperrealistic sculptures at Pier 17 in the trendy neighbourhood of Seaport in New York City on June 1, 2024. (Photo by Milo Hess/ZUMA Press Wire/Rex Features/Shutterstock)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)