Photographer Pol Kurucz’s vivid collection of photos explores issues faced by black Brazilian women, from political misrepresentation to unrealistic beauty standards. Kolor Collective is a Rio de Janeiro-based creative group that challenges the struggle faced by black women in Brazil through theatrical and provocative art. It was founded in 2015 by Franco-Hungarian photographer Pol Kurucz, who often touches on his own experiences of discrimination to call out sensitive social problems. (Photo by Kolor Art Collective/The Guardian)

Photographer Emily Dryden and sculptor/actor Zahydé Pietri combine theatricality and organic produce to compose the photographs for their series Fresh Faces. The portraits are made from a wide range of fruit and vegetables and aim to highlight humanity’s diversity – Pietri is from Puerto Rico and Dryden is from New York. Each face has its own name and identity: “We have stories for them, which you can see in the expressions”, says Dryden, “but we decided to keep them to ourselves. We didn’t want to spoil that”. (Photo by Emily Dryden and Zahydé Pietri/The Guardian)

Aina the mother sheep, a 4.5-metre musical sculpture installed in the first decade of July 2023 outside Huddersfield railway station in England as part of Artichoke’s latest project, Herd. She is one of 23 giant handcrafted musical sheep that will appear all over Kirklees this week before joining Aina for a grand finale in Huddersfield on 16 July. (Photo by Christopher Thomond/The Guardian)

Photographer Gregg Segal travelled the world to document children and the food they eat in a week. Partly inspired by the increasing problems of childhood obesity, he tracked traditional regional diets as yet unaffected by globalisation, and ironically, found that the healthiest diets were often eaten by the least well off. (Photo by Gregg Segal/The Guardian)

Monumental landscape artwork “Hush” by installation artist Steve Messam hangs in the moors of Teesdale on July 18, 2019 in Barnard Castle, England. The outdoor installation is inspired by the geology, mining history and landscape of the area. It hangs over Bales Hush, a deep gauge in the terrain created when miners flushed the area with water to reveal the geological riches below. Hundreds of metres of recyclable saffron yellow fabric blow in the wind. (Photo by Christopher Thomond/The Guardian)

Heesco, Windsor. Born and raised in Mongolia and now living and working in Melbourne, Heesco is well known for his skill in rendering photo-realistic portraits. They speak to the viewer in a way that the subtext is enjoyable to decipher. Just what is the Blue Lady’s message? The sunglasses might mask the confronting gaze but her body language fills in the gaps. Heesco’s characters often wear traditional jewellery and clothing that remind us of his Mongolian cultural heritage. (Photo by Lou Chamberlin/The Guardian)

Rescue specialists for USA-1 drill through a concrete slab to rescue a victim from the scene of a mock disaster area during a training exercise at the Guardian Center in Perry, Georgia, March 25, 2014. A week of field training, the first of its kind at the 830-acre training site, to be open to the media, began Monday with the arrival of USA-1 from Fairfax, Virginia along with its sister team in Los Angeles, California. USA-1 has been deployed by the U.S. Agency for International Development to 30 foreign disasters, including earthquakes in Haiti, Armenia and Iran, the tsunami in Japan and the typhoon in the Philippines. (Photo by Shannon Stapleton/Reuters)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)