Commuters travel in an overcrowded train near a railway station at Loni town in India's state of Uttar Pradesh on April 24, 2023. India is set to overtake China as the world's most populous country by the end of June, UN estimates showed on April 19, posing huge challenges to a nation with creaking infrastructure and insufficient jobs for millions of young people. (Photo by Arun Sankar/AFP Photo)

This photo taken on July 13, 2023 shows a woman wearing traditional Uyghur attire posing for photos in the Old Kashgar tourist area in China's northwestern Xinjiang region. Chinese travellers throng the bazaars of old Kashgar, munching mutton kebabs and soaking up heavily commodified Uyghur culture – part of a government push to remould troubled Xinjiang into a tourism paradise. (Photo by Pedro Pardo/AFP Photo)

A young female demonstrator is arrested by police during clashes in the Causeway Bay area of Hong Kong, China on October 6, 2019. Hundreds of thousands of protesters marched through the city's streets in defiance of the new “no-mask” law, which was introduced two days ago as demonstrations roll into a 14th week. (Photo by Rick Findler/EPA/EFE/Rex Features/Shutterstock)

A woman wearing a face mask as a precaution against the COVID-19 while using smartphone in a subway train in Hong Kong, Thursday, February 27, 2020. As the worst-hit areas of Asia continued to struggle with a viral epidemic, with hundreds more cases reported Thursday in South Korea and China, worries about infection and containment spread across the globe. (Photo by Kin Cheung/AP Photo)

A woman wearing a protective mask walks outside a church in Mandaluyong, east of Manila, Philippines on Sunday, February 2, 2020. The Philippines on Sunday reported the first death of a new virus outside of China, where authorities delayed the opening of schools in the worst-hit province and tightened quarantine measures in another that allow only one family member to venture out to buy supplies. (Photo by Aaron Favila/AP Photo)

A medical worker wearing a full protective outfit tests a man for Covid-19 symptoms in a street in Wuhan, China, 01 April 2020. Wuhan, the epicenter of the coronavirus outbreak, partly lifted the lockdown allowing people to enter the city after more than two months. According to Chinese government figures over 2,500 people have died of Covid-19 in Wuhan since the outbreak began. (Photo by Roman Pilipey/EPA/EFE)

Catherine Nelson is a visual artist who uses the digital medium to paint images together into personal and imaginary landscapes. Trained as a painter in Sydney and London and with years of experience in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, she now has dedicated her skills to her own art work combining the techniques from both these worlds into a new contemporary art medium. Her latest series have been exhibited in Australia, New Zealand, China, Korea, USA and Europe and have captivated audiences and art collectors in cities like Sydney, Paris, Los Angeles, Beijing and Seoul.

“«The Red Detachment of Women» (simplified Chinese: 红色娘子军) is a Chinese ballet which premiered in 1964. It is perhaps best known in the West as the ballet performed for U.S. President Richard Nixon on his visit to China in February 1972. Adapted from the earlier film of the same title under the personal direction of Zhou Enlai, which in turn adapted from the novel by Liang Xin, it depicts the liberation of a peasant girl in Hainan Island and her rise in the Chinese Communist Party”.