An unidentified man brandishes a gun during a protest against a new citizenship law outside the Jamia Millia Islamia University in New Delhi, India, January 30, 2020. The gunman went live on Facebook to warn he was taking his “final journey” before firing at the protest. (Photo by Danish Siddiqui/Reuters)

A model performs on the catwalk of the Lambertz Monday Night event at Alter Wartesaal in Cologne, Germany, 03 February 2020. (Photo by Friedemann Vogel/EPA/EFE)

Indian students with face painted pose for a photo during an inter-college face painting competition at the Government Sardar Vallabh Bhai Patel Polytechnic College in Bhopal, India, 17 February 2020. Over fifty people participated in the event and made face paintings on various issues including the coronavirus or COVID-19. (Photo by Sanjeev Gupta/EPA/EFE)

A man looks at a figure outside a store as he walks along a street in Beijing on March 2, 2021. (Photo by Wang Zhao/AFP Photo)

A health worker administers a dose of the Sinovac COVID-19 vaccine to a worker in a local entertainment venue area where a new cluster of COVID-19 infections were found in Bangkok, Thailand, Wednesday, April 7, 2021. Officials in Thailand’s capital have ordered a two-week closure of all entertainment venues in three districts to try to limit the spread of the coronavirus from nightspots there. (Photo by Sakchai Lalit/AP Photo)

A man takes a picture of the mural painted by the street artist Harry Greb depicting the Italian music composer Ennio Morricone, a day after the 91-year-old composer's death, on July 7, 2020 in Rome, Italy. (Photo by Antonio Masiello/Getty Images)

A man crosses a mud-covered trail carrying his wife on his back at a flooded Han River park in Seoul, South Korea, August 4, 2020. (Photo by Kim Hong-Ji/Reuters)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)