A pistol is lies near the body of a drug suspect who was killed with two others in an alleged “buy-bust” operation before dawn on Friday, September 30, 2016, in Caloocan city, north of Manila, Philippines, in the continuing “War on Drugs” campaign of President Rodrigo Duterte. Duterte said he would be “happy to slaughter” 3 million addicts. (Photo by Bullit Marquez/AP Photo)

Nyaueth by Peter Zelewski – £2,000 third prize winner. This was taken near London’s Oxford Street as part of Zelewski’s series Beautiful Strangers. Zelewski explains: ‘The aim of Beautiful Strangers is to challenge the concept of traditional beauty with a series of spontaneous street portraits of everyday citizens who show character, uniqueness and a special inner quality’. (Photo by Peter Zelewski/Taylor Wessing Portrait Prize 2015)

A dead red-tailed monkey hangs by its tail above the ground, in order to keep it away from ants, in the forest near the city of Mbandaka, Democratic Republic of the Congo, April 5, 2019. Bushmeat hunters are emptying Central Africa's forests at a high rate, researchers say. A growing appetite for wild meat in cities has ramped up the scale of hunting. Research shows around 6 million tonnes of bushmeat are sourced annually from the Congo Basin, whose forest spans across six countries and is second in size only to the Amazon. (Photo by Thomas Nicolon/Reuters)

Many powerful photographs have been made in the aftermath of the devastating collapse of a garment factory on the outskirts of Dhaka, Bangladesh. But one photo, by Bangladeshi photographer Taslima Akhter, has emerged as the most heart wrenching, capturing an entire country’s grief in a single image... Photo: Two victims amid the rubble of a garment factory building collapse in Savar, near Dhaka, Bangladesh, April 25, 2013. (Photo by Taslima Akhter)

“Locusts & Men”. Oppression, interaction, collaboration. In the life cycle of nature nothing is lost, but the coexistence of different species is sometimes difficult. In Madagascar periodically returns the archaic antagonism between man and the migratory locust, in a circle of life where the two species are looking for space and food for their survival. At the end of the day a man walks home carrying on his shoulders the heavy bag which contains the locusts captured during the day. The insects provide nutritious meals for the man and his family. Photo location: Madagascar, 2013. (Photo and caption by Michele Martinelli/National Geographic Photo Contest)

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A father crosses a road with his twin daughters in Shanghai, China September 28, 2018. (Photo by Aly Song/Reuters)

“At her job, Maria Torero cares for sick human beings. At home, she lavishes love on slowly dying cats – 175 of them at last count. The 45-year-old nurse has turned her two-story, eight-room apartment into a hospice for cats with feline leukemia, scattering it with scores of feeding dishes and at least two dozen boxes litter boxes. Some have suggested she shelter healthy cats instead. “That's not my role”, she told The Associated Press. “I'm a nurse. My duty is to the cats that nobody cares about”. She said that “people don't adopt adult cats, especially if they are terminally ill”. – Franklin Briceno via Associated Press. (Photo by Martin Mejia/AP Photo)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)