A giant panda named Kai Kai looks on as he opens a gift to celebrate his upcoming 14th birthday at the River Safari wildlife park in Singapore on September 10, 2021. (Photo by Roslan Rahman/AFP Photo)
In the mountains of central Vietnam, a colossal pair of hands lifts a golden thread of walkway high above the clifftops, as if the mountain itself has sprouted limbs. Here: A giant hand structure at the Gold Bridge is seen on Ba Na hill near Danang city, Vietnam on August 1, 2018. (Photo by Reuters/Kham)
Women take a selfie with a giant dragon lantern decorated near the frozen Houhai Lake in Beijing, Thursday, February 8, 2024. (Photo by Andy Wong/AP Photo)
A thrill-seeking storm chaser captured the precise moment these giant lightning bolts lit up dark skies in a series of incredible storms. (Photo by Craig Eccles/Solent News & Photo Agency)
Giant panda Meng Meng plays on a tree at a Siberian tiger-breeding base in Changchun, China on December 10, 2015. (Photo by Xu Chang/Xinhua Press/Corbis)
A bird flies over the abandoned giant sculpture of a Buddhist monk in Cha-am outside Hua Hin, 145km south of Bangkok, on February 25, 2021. (Photo by Mladen Antonov/AFP Photo)
The Mausoleum of the Giants, an immersive solo show of monumental sculptures by the artist Phlegm, is installed at Taylor’s Eye Witness Works in Sheffield, England on March 14, 2019. (Photo by Danny Lawson/PA Wire Press Association)
A woman poses for her husband alongside a giant camera Thursday, November 7, 2013 outside the Historic Green County Courthouse in Monroe, Wis. Chicago photographer Dennis Manarchy created what's being called the world's largest camera. It's 35-feet long and 12-feet tall it's a working replica of a vintage accordion-style camera that produces 16- by 24-foot prints, the equivalent of a two-story building. The giant camera is on display in Monroe through November 17 because a Monroe company manufactured the specially-built trailer. Manarchy plans to tow the camera around the country to shoot photos of indigenous cultures. (Photo by Mark Hoffman)