A Romanian honor guard soldier stands still as three military aircraft carriers are crossing the sky during a ceremony held at the Unknown Soldier Memorial, in Carol I Park, on the occasion of the Heroes' Day commemoration, in Bucharest, Romania, 10 June 2021. (Photo by Robert Ghement/EPA/EFE)

A woman uses her smartphone before the Chanel Cruise Collection 2015/16 fashion show at the Dongdaemun Design Plaza in Seoul, May 4, 2015. (Photo by Thomas Peter/Reuters)

A girl sticks out her tongue during snowfalls on a street in Hefei, Anhui province February 13, 2014. (Photo by Reuters/Stringer)

An Indian underprivileged bride gets her jewellery adjusted by a relative during a mass marriage ceremony in New Delhi, India, March 10, 2016. Fourteen underprivileged couples tied up the nuptial knot in the mass marriage ceremony organised by various social organisations. (Photo by Rajat Gupta/EPA)

This huge male orangutan is having a right old laugh as he squints his eyes and shows his huge teeth. The orangutan, called Bimbo, was relaxing on a platform around 5m high in his enclosure when he broke out into a laugh. But his happy smile soon disappeared when another orangutan came over to see what was going on. Bimbo – the only male in the group of five apes at Leipzig Zoo, in Germany - appears to be laughing in much the same way as a human would. (Photo by Martina Radtke/Solent News)

Italian disabled dancer Simona Atzori (top) performs, before a special audience with disabled athletes led by Pope Francis, in Paul VI hall at the Vatican October 4, 2014. (Photo by Tony Gentile/Reuters)

The legendary US photographer’s favourite shots of creatures and how they interact with humans feature in “Animals”, his latest book. Here: A boy rests against a cow, Kathmandu, Nepal, 2013. “Cows have been designated the national animal in Nepal. They roam freely, and are considered sacred by the 80% of Nepalis who are Hindu”. (Photo by Steve McCurry/The Guardian)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)