British rock band Bring Me The Horizon performs at the Reading Music Festival, England, Friday, August 27, 2022. (Photo by Scott Garfitt/Invision/AP Photo)

A child enjoys yellow gingko leaves outside the Diaoyutai State Guesthouse on November 8, 2022 in Beijing, China. (Photo by Zhao Jun/China News Service via Getty Images)

Majesty Davis, 3, cries while visiting Santa Claus, who sits behind a plexiglass divider due to the coronavirus disease (COVID-19) pandemic, at the Willow Grove Park Mall in Willow Grove, Pennsylvania, U.S. November 14, 2020. (Photo by Mark Makela/Reuters)

People get covered with powdered colors to celebrate the Holi festival in Bangalore, India on March 21, 2019. Holi is observed at the end of the winter season on the last full moon day of the lunar month Phalguna, which usually falls in the later part of February or March. (Photo by Jagadeesh N.V./EPA/EFE/Rex Features/Shutterstock)

A swimmer swims by a swan in The Serpentine in Hyde Park, following the outbreak of the coronavirus disease (COVID-19), London, Britain, May 26, 2020. (Photo by John Sibley/Reuters)

A man holds a gun under his chin as he speaks with members of the NYPD outside the United Nations Headquarters in New York City, U.S., December 2, 2021. (Photo by Carlo Allegri/Reuters)

Participants prepare backstage before the 5th “Strongo Cup” open amateur bodybuilding tournament at the State Opera and Ballet Theatre in Russia's Siberian city of Krasnoyarsk, November 1, 2014. Participants from all over Russia took part in the tournament competing in bodybuilding, body fitness and bikini fitness disciplines. (Photo by Ilya Naymushin/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)