The spectacular sequence shows the divers reaching out and even petting the 1,000-pound predators as the inquisitive beasts happily pose for the camera. Other pictures show the sharks appearing to swim with the divers as they move towards the water’s surface. The photographs were taken at Tiger Beach, Grand Bahama by photographer, Steve Hinczynski (49) from Venice, Florida, USA. To take his images Steve used a Canon 7D Mark II camera equipped with Ikelite underwater housing. (Photo by Steve Hinczynski/Mediadrumworld)

“Eye of the Tower” by Mehmet Yasa; Verona, Italy. “The staircase and the bell looks like an eye. Architecture can fascinate us in many ways”. (Photo by Mehmet Yasa/Art of Building Photography Awards 2017)

West German police arrest a young man, one of the angry crowd throwing stones at a bus full of Soviet guards making their way to the Soviet War Memorial, 20th August 1962. The crowd were incensed by the death of 18-year-old Peter Fechter, who was shot while trying to cross the Berlin Wall a few days earlier. (Photo by Central Press/Hulton Archive/Getty Images)

People work with cocoa beans in Enchi June 17, 2014. Picture taken June 17, 2014. Ghana emerged as a success story during the 2000s, when war, political instability and a disastrous liberalization brought Ivory Coast's cocoa sector to its knees. Ghana's output more than tripled from 340,000 tons in the 2001/02 season to a record 1,025,000 tons a decade later. Strict controls cemented its reputation as a producer of top quality beans, establishing a brand that fetches a premium. (Photo by Thierry Gouegnon/Reuters)

These portraits reveal the incredibly humanlike expressions of a variety of apes.Through piercing eyes and finite facial details, the intimate photographs show the animals looking angry, sad, delighted and pensive. They are the works of Manuela Kulpa – an IT consultant and keen photographer from near Cologne, Germany – who shot the apes predominantly at zoos across Austria, Belgium, the Czech Republic, Germany and the Netherlands. Here: Bonobo, Azibo. (Photo by Manuela Kulpa/Caters News)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

Earlier this year, Belgian film-maker and artist Vincent Bal stumbled upon an uncanny resemblance to an elephant in the shadow of his tea cup. This gave him the idea for Shadowology, a series of doodles that interact with the shadows of simple, everyday objects: a banknote, some ice cubes and a flower, for example, can turn into a church, a woman and a hippy. “I draw a few lines and I get my image. It’s really the shadows that inspire me”, Bal says. Here: “Stonedog”. (Photo by Vincent Bal/The Guardian)