Members of the contemporary circus company Cirk La Putyka perform in front of sculpture of Franz Kafka's head to entertain local residents in Prague, Czech Republic, 21 April 2020. The aim of the Cirk La Putyka events in the streets of Czech capital is to get live art back to people during the lockdown. According to them, when people can't go to the artists, to the theater, the actors go to the people. The Czech government has imposed a lockdown in an attempt to slow down the spread of the pandemic COVID-19 disease caused by the SARS-CoV-2 coronavirus. (Photo by Martin Divisek/EPA/EFE/Rex Features/Shutterstock)

Bristol Museum & Art Gallery representatives on Monday, June 23, 2025 hold an empty frame against Avon Gorge in Bristol, which was painted by JMW Turner in The Rising Squall, Hot Wells, from St Vincent's Rock, Bristol (1792). A fundraising campaign has been launched to bring one of the earliest works by Turner back to the city of Bristol where the artist painted it when he was 17 years old. Bristol Museum & Art Gallery is now keen to acquire the work, which is believed to be the only oil painting Turner made of the city. (Photo by Ben Birchall/PA Images via Getty Images)

Brandy Shelton of Greensboro, North Carolina, “twerks” for a group of bikers on Ocean Boulevard during the 2015 Atlantic Beach Memorial Day BikeFest in Myrtle Beach, South Carolina May 22, 2015. After three people were killed and seven wounded in shootings during 2014 Bikefest, State officials called for an end to the event that draws thousands to the family-friendly beach town.Their efforts were unsuccessful. Bikers returned to Myrtle Beach – just a week after a bloody motorcycle gang shootout in Waco, Texas. But this time authorities are more prepared, with dozens of new surveillance cameras and a police force three times the size of last year's. (Photo by Randall Hill/Reuters)

A girl plays in the Eshash el-Sudan slum in the Dokki neighbourhood of Giza, south of Cairo, Egypt September 2, 2015. Residents of the slum clashed with police in late August, when about 50 ramshackle huts were destroyed and at least 20 people were injured by teargas, local media reported, as authorities attempt to clear the area and rehouse residents. The slum dwellers, some of whom have called Eshash el-Sudan home for 50 years, say there are not enough apartments built nearby to house them. The residents of the slum eke out a living by disposing of rubbish or baking bread. Schooling is too expensive for most of their children, who play with salvaged rubbish amid shacks made out of discarded wood and leather. (Photo by Amr Abdallah Dalsh/Reuters)

A new book of photos by legendary photographer Weegee shows what industrialized, pre-gentrified New York looked like in the mid-20th century, before the city was crammed with towers and billboards. Here: this combination shows the 1945 photo “Derelict sleeping on the sidewalk outside police headquarters” by Weegee, provided by the International Center of Photography in New York, and a woman walking on the same spot on Wednesday, March 18, 2015. (Photo by AP Photo/Copyright Weegee/The International Center of Photography, Mark Lennihan)

EMT Christian Amoroso, wearing personal protective equipment (PPE), pauses while unloading COVID-19 patients at the Montefiore Medical Center Wakefield Campus on April 06, 2020 in the Bronx borough of New York City. A specialized bus known as a Medical Evacuation Transport Unit (METU), caries infected patients on stretchers and benches between hospitals. (Photo by John Moore/Getty Images)

German artist Robert Rickhoff re-interprets the idea of public space with humor through a series of digitally manipulated photographs in a project entitled “out of place”. Rickhoff augments scenes within a seemingly commonplace environment to depict impractical yet lighthearted situations – including a playground slippery dip facing towards a busy road to a speed bump placed in an unassuming residential street that is actually a daredevil ramp. the visualizations are subtle yet provocative, forcing the audience to look twice to notice the unusual setting infused with tongue-in-cheek wit.