A love story with two log choppers. “In 1993, I was working on a project about life in the Olomouc region of Czechoslovakia. One day, I came to the village of Dlouhá Loučka-Křivá and went into a courtyard where I saw two old people, a husband and wife, sawing firewood for winter. They were working quietly, concentrating. I watched them fetch a beam from a wrecked barn, but they didn’t discuss how they planned to carry it to the saw. The woman faced one way, the man the other. When they realised, the woman eventually turned and followed her husband. The picture I took is the picture of many relationships – when each partner wants something different, but they have to come to an agreement, pull together eventually”. (Photo by Jindrich Streit)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Reflected in the rearview mirror, Jose Collantes gets a hug from daughter Kehity while they're stopped at a red light, as Jose drives his five-year-old home from a playdate in Santiago, Chile, Sunday, September 6, 2020, three months after they lost his wife, her mother, to COVID-19. Their case highlights how COVID-19 deaths the world over are often the beginning of a new personal journey for those affected. (Photo by Esteban Felix/AP Photo)

Young Swiss photographer Cyril Porchet’s final year show included this awesome series of the most opulent Baroque church altars he could find in Spain, Austria and Germany. His intention was to explore the seductive power of display. What is extraordinary is how much you lose all sense of perspective and depth, such is the overabundance of detail. I like how the odd feature confuses all the more; like the red rope of the ornamental light in the image below for instance which neatly splices the image in half. I could pore over these for hours and hours.

Star Wars collector James Burns, 44, poses for a photograph with some of his collection in London December 2, 2015. He said “I've met so many wonderful people, all over the world. It's a wonderful community of likeminded people with an interest in Star Wars. There's nothing else like it”. (Photo by Paul Hackett/Reuters)