Well before Corey Arnold ever thought about photography, he fished. As a child, he dressed as a fisherman for four consecutive Halloweens, and once brought a dead 3-foot Mako shark to school for show-and-tell. He knew he wanted to be a professional fisherman, even if he didn’t understand what that actually meant.

Russian pop art photographer Sergey Chilikov captures a nation liberated from the social oppression of late-era Soviet rule – at parties, in the streets, and bouncing high. His exhibition, Photoprovocations, will be at Photo London, 19-22 May. Here: Yoshkar-Ola, Matrosova Street (1995). (Photo by Sergey Chilikov)

Unforgiving temperatures of up to 60℃ (140℉) beat down on these saltminers on a daily basis. The mines, situated in the Afar Triangle in Ethiopia, stretch across 38,000 sq miles and at their lowest point are more than 300ft below sea level. Joel Santos travelled to capture the area’s dry, brutal beauty. Here: Dromedaries and donkeys are used to transport the salt. (Photo by Joel Santos/Barcroft Images)

In this September 30, 2017 photo, people perform “transvestite target practice” to protest the killings of transvestite prostitutes during the annual LGBQT march in Asuncion, Paraguay. Advocacy groups fear the stigma and attacks against the LGBQT community could get worse now that the country's education minister has banned classes about sexual diversity in schools and even volunteered to help burn all books related to the subject. (Photo by Jorge Saenz/AP Photo)

See also: Karma by Do Ho Suh

A Cambodian girl goes through the garbage dump looking for things to recycle in order to survive July 26, 2003 in Phnom Penh, Cambodia. Rampant corruption in this impoverished country has lead to extreme poverty with many Cambodians living below the poverty line. (Photo by Paula Bronstein/Getty Images)

David Yeo’s photography places naturally small species alongside animals that have been selectively bred to be tiny and cute. Here: “The most difficult aspect of this shoot was to get each African pygmy dormouse – also known as micro squirrels – on to a separate camera. Once in place, they needed to remain still long enough to get them both in the frame and looking at me. Often solitary, they naturally wanted to move away”. (Photo by David Yeo/Leica Studio Mayfair/The Guardian)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)