A four-year-old dog Nika stands next to an image of Cuba's revolutionary hero Ernesto “Che” Guevara in front of a flooded street in Havana, January 23, 2016. Havana's seafront Malecon continued to be slammed by massive waves that flooded parts of the seaside city on Saturday. As a result, Havana was confronting flooding as a cold front passes through the Caribbean island. The giant waves began washing up onto shore during sunrise. The waves have been accompanied by winds passing through at a speed between 35 and 50 km (21 to 31 miles) per hour. (Photo by Alexandre Meneghini/Reuters)

A Spanish recortador jumps over a bull during a show in Cali December 21, 2014. (Photo by Jaime Saldarriaga/Reuters)

Power to the people! Giant transmission tower people that is… We can all agree that transmission towers (that’s an electricity pylon or ironman for you European and Aussie folk) are very necessary yet completely unsightly. These suspension towers dot our landscapes, typically soaring 15-55 meters (49 – 180 ft) high.

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)

Frander Arroyo, select wings of butterflies at Blue Morpho Butterfly House in Alajuela, Costa Rica, March 10, 2016. According to Arroyo, owner of Blue Morpho Butterfly House, he collects dead butterflies from his garden to mount as handicraft like earrings, necklaces, paintings and rings for export with prices ranging from $12 to $16 a piece. (Photo by Juan Carlos Ulate/Reuters)

A girl carries on her head a pile of dried shrubs she gathered for cooking and heating, in Kabul, Afghanistan November 18, 2015. (Photo by Omar Sobhani/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

A Chinese rescuer evacuates a young boy from flooded areas caused by heavy rains in Changsha city, central China's Hunan provincehangsha, capital of Hunan on July 3, 2017. (Photo by Imaginechina/Rex Features/Shutterstock)