A drone operated by paramilitary police flies over the site of last week's explosions at Binhai new district in Tianjin, China, August 17, 2015. Many operations have resumed at China's Tianjin port, trade sources said, after explosions last week that killed more than 100 people and disrupted business at what is an important oil, gas and bulk import harbor for Asia's biggest economy. The explosions on August 12 led to the disruption of all chemical and oil tanker discharges at the port, and imports of iron ore were also affected. (Photo by Kim Kyung-Hoon/Reuters)

Nestled among the cocoa plantations of western Ivory Coast is a gold mine that does not feature on any official maps. It is not run by an industrial mining company, nor does it pay taxes to the central government. The unlicensed mine is a key part of a lucrative business empire headed by the deputy commander of the West African nation's elite Republican Guard, United Nations investigators allege. Here: A gold prospector sits and eats close to a soldier at a gold mine near the village of Gamina, in western Ivory Coast, March 18, 2015. (Photo by Luc Gnago/Reuters)

Twenty-four-year-old Maryam Aghayee makes hyper-realistic baby dolls acting as surrogates for some Iranian families who are apprehensive of having more children. “It has been about three or four months since I started this work”, says Maryam in Tehran, Iran on October 7, 2020. “After making my second doll, many orders have been coming in. The second doll was much more realistic than the previous one. After making my second doll, I said that from now on I can take customer orders. I did not intend to start a business from the beginning because it was a hobby, but after the second doll, the demand for these kinds of dolls increased, customers want to have such dolls”. (Photo by Majid Asgaripour/WANA (West Asia News Agency) via Reuters)

A face mask is placed on one of the 'Three business men who brought lunch' statues on Swanston street on March 29, 2020 in Melbourne, Australia. All international arrivals into Australia from midnight on Saturday will be placed into mandatory quarantine in hotels for 14 days as the Federal Government increases restrictions to stop the spread of COVID-19. (Photo by Asanka Ratnayake/Getty Images)

Students wearing mask hold hands to surround the St. Stephen's Girls' College in Hong Kong, Monday, September 9, 2019. Thousands of demonstrators in Hong Kong urged President Donald Trump to “liberate” the semiautonomous Chinese territory during a peaceful march to the U.S. Consulate on Sunday, but violence broke out later in the business and retail district as police fired tear gas after protesters vandalized subway stations, set fires and blocked traffic. (Photo by Kin Cheung/AP Photo)

A man carries a television away from a fire in a slum area next to railway tracks in Kampung Bandan, North Jakarta, Indonesia January 26, 2016. According to local media, the fire destroyed approximately 100 wooden dwellings, built along a busy railway line. No casualties were reported. (Photo by Reuters/Beawiharta)

Labourers walk near trucks loaded with logs, which are trapped on a muddy road, near an unreserved forest in the village of Igbatoro, southwest Nigeria, August 28, 2014. Wood, a form of biomass, is the sole source of energy for hundreds of millions of Africans who lack access to modern sources of power, and logging, both legal and illegal, remains a lucrative business that has contributed to the rapid shrinking of Africa's rainforests and woodlands. (Photo by Akintunde Akinleye/Reuters)

German artist Robert Rickhoff re-interprets the idea of public space with humor through a series of digitally manipulated photographs in a project entitled “out of place”. Rickhoff augments scenes within a seemingly commonplace environment to depict impractical yet lighthearted situations – including a playground slippery dip facing towards a busy road to a speed bump placed in an unassuming residential street that is actually a daredevil ramp. the visualizations are subtle yet provocative, forcing the audience to look twice to notice the unusual setting infused with tongue-in-cheek wit.