A person dressed as the Krampus performs during the 9th Krampus meeting show in Serfaus, Tyrol, Austria, 12 November 2016. Several thousand people watched the parade of about 27 artists groups from Austria and South Tyrol, Italy. The Krampus is a folklorical figure who, during the Christmas season, punishes children who have misbehaved. (Photo by Christian Bruna/EPA)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

Born 1938 in New York, Melvin Sokolsky was a major figure in the revival of fashion photography from the 1960s. He was only 21 when he started working at Harper's Bazaar for which he produced the “Bubble” series of photographs depicting fashion models floating in giant clear plastic bubbles suspended in midair above the Seine river in Paris. Alongside his steady collaboration with Bazaar, he also worked for publications such as Vogue and the New York Times. Photo: “After Delvaux” – “Paris 1963” – Harper's Bazaar “Bubble” Spring Collection. (Photo by Melvin Sokolsky)

Brad Says “Brick sculpture can be dated back to ancient Babylon but remains a fresh and interesting enhancement to any building, wall or environment. The brick medium has all the same characteristics of durability and low maintenance as a brick building, blends well in settings where other brick construction is present, looks good with landscaping and has a familiarity which is comforting to people. Brick sculpture adds intrigue and interest to a commonly understood material as viewers try to figure out the techniques by which it was created.”

Greece-based illustrator, Charis Tsevis took his fascination with our wired world to develop his series of colorful and detailed wire illustrations. He uses all types of wires, including USB cords and phone cables, and creates form figures, faces and animals by tangling them together. Tsevis says, “All of them have to do with the relationship between the network and the human body and spirit”. Photo: “The Conquering Lion: Plug into the power of Reggae”. (Photo by Charis Tsevis)

Eritrean refugee children play at Mai-Aini refugee camp near the Eritrean boarder in the Tigrai region in Ethiopia February 10, 2016. Each month as many as 5,000 people flee Eritrea according to U.N. figures, estimates the Eritrean government disputes. The government puts the population at about 3.6 million, while other estimates suggest it could be almost double that. (Photo by Tiksa Negeri/Reuters)

A woman learns how to use an AK-47 assault rifle during a civilians self-defence course in the outskirts of Lviv, western Ukraine, on March 4, 2022. The Russian army occupied on March 4, 2022 the Ukrainian nuclear power plant of Zaporozhie (south), the largest in Europe, where bombings in the night have raised fears of a disaster as more than 1.2 million people have fled Ukraine into neighbouring countries since Russia launched its full-scale invasion on February 24, United Nations figures showed on March 4, 2022. (Photo by Daniel Leal/AFP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)