From Tibetan monks playing basket ball with ice thawing high up in the Himalayas, to the pollution that hides behind the Taj Mahal, here’s pick from 60 exceptional environmental photographs, by photographers and filmmakers from 70 countries, that will go on show at the Royal Geographical Society in London from 29 June to 21 August. The winners will be announced on 28 June. Here: Gravel Workmen of Chittagong, Bangladesh, by Faisal Azim. Gravel workmen look through a glass window at a gravel-crushing yard in Chittagong. Full of dust and sand, it is an extremely unhealthy environment for working, but still hundreds of people work here for their livelihoods. (Photo by Faisal Azim/2016 Atkins CIWEM Environmental Photographer of the Year)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)

Ahead of May Day, AFP' s video and photo teams spoke to men and women around the globe whose jobs are becoming increasingly rare, particularly as technology transforms societies. Here: Mohammad Ashgar, 65, an Indian rickshaw puller, poses for a photograph next to his rickshaw in Kolkata on April 21, 2018. (Photo by Dibyangshu Sarkar/AFP Photo)

Alain Robert of France, who is known as "Spiderman", climbs the Habana Libre hotel in Havana February 4, 2013. Robert, who scales buildings all over the world without safety equipment, successfully climbed the hotel which is 126 metres (413 feet) high. (Photo by Stringer/Reuters)

Belly dancer Nagwa Fouad sailing on the river Nile, 1972. Egypt is one of 23 countries represented at the Dubai Photo Exhibition, showing off photography that dates to the 1920s. Dubai Photo Exhibition is in various venues of Dubai’s design district from 16-19 March. (Photo by Farouk Ibrahim)

Glass artist Kiva Ford draws from his vast experience in scientific glassblowing to create perfect miniatures of wine glasses, beakers, and ribbon-striped vases, some scarcely an inch tall. A member of the American Scientific Glassblowers Society, Kiva creates instruments for scientists who require one-of-a-kind designs for various experiments. The same techniques and tools used for scientific equipment also apply to his artistic practice including the miniature works you see here, as well as larger sculptures, and ornate drinkware.

A woman carries a floral design handbag at the RHS Chelsea Flower Show in London, Britain on May 21, 2018. The annual show of floral art, timed to coincide with the RHS Chelsea Flower Show nearby, sees over sixty shops, restaurants and local businesses compete for prizes, with the awards given by RHS (Royal Horticultural Society) judges, this year on the theme of “Summer of Love”. (Photo by Toby Melville/Reuters)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.