The Chilean ship “Skorpios II” is seen after it ran aground in “Maillen” island, near Puerto Montt, south of Santiago, in this handout picture from the Chilean Navy, February 5, 2015. According to the Chilean Navy, the ship's 89 passengers and 31 crew members were all evacuated and no oil spills or casualties were reported. (Photo by Reuters/Chilean Navy)

Joaldunaks return in a trailer to their town at the end of Carnival between of the Pyrenees villages of Ituren and Zubieta, northern Spain, Monday, February 1, 2016. In one of the most ancient carnivals in Europe, dating from before the Roman empire, companies of Joaldunak (cowbells) made up of residents of two towns, Ituren and Zubieta, parade the streets costumed in sandals, lace petticoats, sheepskins around the waist and shoulders, coloured neckerchiefs, conical caps with ribbons and a hyssop of horsehair in their right hands and cowbells hung across their lower back. (Photo by Alvaro Barrientos/AP Photo)

The wreckage of a van is overgrown by plants in Simacem village in North Sumatra, Indonesia, November 16, 2015. The village was abandoned following the eruption of Mount Sinabung as it was considered too close to the still rumbling volcano. (Photo by Binsar Bakkara/AP Photo)

The works of Hu Shaoming immediately catch the eye of the onlookers with their level on intricacy and uniqueness. To provide a glimpse into the intricate workings of vintage cameras he uses a very unique method. He made it seem as if the fine leather covering of the camera was opened by zipper, showing its innards. A similar technique was used on an ancient telephone, though there it looks more like an embellishment. The idea was so marvelously put into life that it seems as if those items can actually be zipped up, though of course that is not possible.

This 2014 series Shanghai Tian Wa saw Chinese photographer Liu Tao train his lens on two distinct districts in Shanghai. Here: “Shanghai Tian Wai №26, 2014”. (Photo by Liu Tao/The Guardian)

A visitor poses for a photograph in front of a 3D painting depicting a Japanese Imperial army soldier at a 3D art gallery in Beijing January 16, 2015. (Photo by Kim Kyung-Hoon/Reuters)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)