These black-and-white photos are taken from the new book “Armoured Warfare in the First World War 1916 – 1918” by Anthony Tucker-Jones and published by Pen & Sword Military. Here: British troops hitch a ride on a Mark IV after the massed tank fleet spearheading attack at Cambrai on November 20, 1917. (Photo by Anthony Tucker-Jones/Mediadrumworld.com)

Determination: silver. Adam Pelech (No 3) of the New York Islanders and Brian Boyle of the Florida Panthers crash the boards during their game at Barclays Center in New York. (Photo by Al Bello/Getty Images)

A Mongolian wrestler adjusts her hair before a match during the 2016 World Sumo Championship on July 30, 2016 in Ulaanbaatar, Mongolia. (Photo by Taylor Weidman/Getty Images)

Vehicles are burning as thousands of people take to the streets during the May Day demonstrations on May 1, 2018 in Paris, France. This month celebrates the 50th anniversary of May 68 when France seen millions of students and striking workers, come onto the streets in demonstrations that changed the country. (Photo by Jeff J. Mitchell/Getty Images)

Fireworks and light effects illuminate the night sky from the Taipei 101 skyscraper during New Year's Eve celebrations in Taipei, Taiwan, 01 January 2019. (Photo by Ritchie B. Tongo/EPA/EFE/Rex Features/Shutterstock)

Competitor Isaiah Webb attends the 2017 Remington Beard Boss World Beard & Moustache Championships held at the Long Center for the Performing Arts on September 3, 2017 in Austin, Texas. (Photo by Brian Cahn/ZUMA Wire/Rex Features/Shutterstock)

A woman dressed up for Halloween travels on a Metro train in São Paulo, Brazil on October 30, 2017. (Photo by Cris Faga/Rex Features/Shutterstock)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)