A guest wearing a fur hat looks on before a fashion show by Chinese brand CHNNYU during BRICS+ Fashion Summit in Moscow, Russia on November 29, 2023. (Photo by Maxim Shemetov/Reuters)
Hungarians witness the fallen statue of communist leader Josef Stalin in front of the National Theater in Budapest on October 24, 1956. Demonstrators revolting against communist rule in Hungary pulled the statue to the ground at Dozsa Gyorgy on Oct. 23 and hauled it by tractor to Blaha Lujza where it was later smashed to pieces by the people. (Photo by Arpad Hazafi/AP Photo)
Sailors pause to take a photo with characters in Times Square during “Fleet Week 2024” in New York City on May 22, 2024. (Photo by Caitlin Ochs/Reuters)
Young Haitian migrants hang out in the Batey La Lima community, an impoverished community surrounded by a massive sugarcane plantation in the coastal city of La Romana, Dominican Republic, Wednesday, November 17, 2021. As the rest of the world closes its doors to Haitian migrants, the country that shares an island with Haiti also is cracking down in a way that human rights activists say hasn’t been seen in decades. (Photo by Matias Delacroix/AP Photo)
Cheng Chen (R), a 27-year-old worker at a state-owned enterprise, poses for a photograph with his nephew who is wearing his home-made Iron Man armour, in Xuzhou, Jiangsu province April 13, 2015. It cost Cheng about 500 yuan ($81 USD) to make the armour, which weighs about 4 kilograms, with plastic boards and LED lights, local media reported. (Photo by Reuters/Stringer)
A woman walks through flood water during heavy downpour at a street in Genoa, Italy, 10 October 2014. At least one person died due to flooding after heavy rains caused the Bisagno river, which runs through Genoa city to overflow. Part of the city was in black-out with flooded streets and parked cars dragged away by the water's force. (Photo by Luca Zennaro/EPA)
“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)