A monkey jumps from a branch at Yangon Zoological Gardens in Yangon, Myanmar, 06 April 2016. Yangon Zoological Gardens (Yangon Zoo) is the oldest and second largest zoo in Myanmar. (Photo by Lynn Bo Bo/EPA)

Kuwaitis play in front of kites at for Kuwaiti al-Farsi Kites team, Kuwaiti desert, 50 kilometers south of Kuwait City, 06 January 2017 (Issued 07 January 2017). (Photo by Raed Qutena/EPA)

Waka Tsukiyama and Sayaka Unagi compete during the Women's Pro-Wrestling “Stardom” at Korakuen Hall on September 06, 2021 in Tokyo, Japan. (Photo by Etsuo Hara/Getty Images)

Kylie Jenner attends the 2019 Met Gala celebrating “Camp: Notes on Fashion” at the Metropolitan Museum of Art on May 06, 2019 in New York City. (Photo by Andrew Kelly/Reuters)

British singer Rita Ora performs during the 43rd annual Gay and Lesbian Mardi Gras parade at the SCG in Sydney, Australia, 06 March 2021. (Photo by Dan Himbrechts/EPA/EFE)

Tearful Turkey captain Hakan Calhanoglu after the UEFA EURO 2024 Quarter-Final football match between Netherlands and Turkiye at Olympiastadion in Berlin, Germany on July 06, 2024. (Photo by Thilo Schmuelgen/Reuters)

Nikolay Skidan, a hunter, carries the skin of a wolf in the village of Khrapkovo, Belarus February 1, 2017. Wolf fur grows thickest in winter, so Belarussian hunter Vladimir Krivenchik only sets his traps once snow is on the ground. He and his wife live on the edge of the Chernobyl exclusion zone – 2,600 square km of land on the Belarus-Ukraine border that was contaminated by a nuclear disaster in 1986. (Photo by Vasily Fedosenko/Reuters)

“Potholes” is a series of photographs depicting the concave street cracks and holes as a collection of imaginative tableaux in the city. Captured within the backdrops of New York City, Los Angeles, Toronto and Montreal, the sets explore the urban flaws as a playground creating a multitude of uses out of the potholes. Directly engaging the street and the city, the highly imaginative series transforms the bad into good, creating a tongue-in-cheek collection that is at once contextual and surreal”. (Photo and caption by Davide Luciano)