Photographer Pierre-Louis Ferrer shows viewers the beauty of France in a whole new light, shooting the country in beautiful infrared. Ferrer’s images are as enchanting as they are intriguing, displaying a whole new variation of color in shrubs, grass and trees, as well as famous landmarks. In some of Ferrer’s works, the foliage is an eye-catching canary yellow – a stark contrast to the more normal shades in the remainder of the images. In other works, whole forests glow red, giving the French countryside an otherworldly look. (Photo by Pierre-Louis Ferrer/Caters News Agency)

“Echus Chasma is a chasma in the Lunae Planum high plateau north of the Valles Marineris canyon system of Mars. Clay has been found in Echus Chasma that means that water once sat there for a time. Echus Chasma is approximately 100 km long and 10 km wide, with valleys ranging in depth from around 1 km to 4 km”. – Wikipedia

Photo: In this handout image supplied by the European Space Agency (ESA) on July 16, 2008, The Echus Chasma, one of the largest water source regions on Mars, is pictured from ESA's Mars Express. The data was acquired on September 25, 2005. The dark material shows a network of light-coloured, incised valleys that look similar to drainage networks known on Earth. It is still debated whether the valleys originate from precipitation, groundwater springs or liquid or magma flows on the surface. (Photo by ESA via Getty Images)

A female participant armed with a bottle of ketchup attacks in the annual Vegetable Battle in Kreuzberg district near Oberbaumbruecke Bridge on August 28, 2011 in Berlin, Germany. The event pits Kreuzberg district residents againts Friedrichshain district residents for control of the Oberbaumbruecke, and the two sides pelt each other with rotten vegetables, other foods, ketchup, water guns and styrofoam bats until one side has pushed the other from the bridge. The event had originally been cancelled for today, but so many participants showed up anyway and began battling on the Kreuzberg side, where the situation escalated and began to threaten traffic, that police relented and let them later battle it out on the bridge. Kreuzberg claimed victory. (Photo by Sean Gallup/Getty Images)

Plaster cast moulds of victims of the Mount Vesuvius eruption lie on a display table in a laboratory at Pompeii October 13, 2015. An expert team made up of archaeologists, radiologists, orthodontists and anthropologists began on September 2015 to use CAT scan technology (computerised axial tomography) to peer inside the plaster cast moulds of Pompeii's victims, in a study that has added more detail to previous findings. A 16-layer scan had to be used in order to penetrate the hardened plaster but the results showed up impressive skeletal remains and near perfect teeth. (Photo by Alessandro Bianchi/Reuters)

An internally displaced woman collects water from a pond to construct a mud-house at the Aboushok camp in El Fasher, North Darfur, Sudan, November 17, 2015. The conflict in Sudan's Darfur region that erupted 12 years ago shows no sign of ending. But it hasn't stopped displaced youngsters, some of whom have spent their entire lives in refugee camps, from dreaming big. Twelve children aged 12 explain their hopes and dreams for the future; ambitions include becoming a doctor, an engineer and a teacher. (Photo by Mohamed Nureldin Abdallah/Reuters)

A photographer is using a unique method to show the shift from day to night across famous cities in spectacular images. Daniel Marker-Moors' take on time-lapse photography – which he calls time slice – sees the photographer snap image after image, before combining them to create beautiful, vibrant works. His images usually focus on a point in the day with the most dramatic change in light, such as sunrise or sunset. Marker-Moors, from Los Angeles, begins by shooting hundreds and sometimes thousands of images from the same spot. Here: Chicago – 35 photographs, 15 minutes. (Photo by Daniel Marker-Moors/Caters News)

There are many ways to interpret the creations of Yoshitoshi Kanemaki, whose works usually involve sculptures of people where two or more characters have merged into a single being. Possibly, Yoshitoshi Kanemaki is trying to express through his sculptures that everyone’s soul is multifaceted. Good emotions are mixed with the bad, love is mixed with hate, contempt with admiration. How often do you hear that a person loves someone deeply, while doing completely horrendous things, unable to see that he or she is destroying their object of love? Nevertheless, we should be thankful to the nature for all the different emotions that we are able to feel. Unlike animals, who only show simple forms of emotions, such as anger, happiness, and a few others, human soul is much deeper, allowing us to feel a full plethora of emotions. (Photo by Yoshitoshi Kanemaki)

If we were to burn NH4Cr2O7 with HgSCN in the Dark Ages in Europe and show it to anyone, it is us who would be burning next on a fiery cross of Inquisition. And it’s no wonder, since this experiment produces a truly marvelous result. At first, as you ignite the mixture of NH4Cr2O7 and HgSCN, all you can see is that it is slowly burning with a reddish flame. After a while, however, a crater is formed in the middle of the burning pile, and then, suddenly, tentacle-like appendages start sprouting from the burning mixture. And you can almost hear the scream of the mad occultist – “Come forth, Kraken! Come forth!” But of course, this is simply a chemical reaction that is called the "Pharoah's Serpent". It was also often sold in firework stores until people realized that it was toxic.