Firefighters attempt to put out a fire at an abandoned building with the protection of St. Louis City Police in St. Louis, Missouri August 19, 2015. Police fatally shot a black man they say pointed a gun at them, drawing angry crowds and recalling the racial tensions sparked by the killing of an unarmed African-American teen in nearby Ferguson, Missouri, just over a year ago. (Photo by Lawrence Bryant/Reuters)

A livestock vendor gives bath to a bull at a cattle market ahead of the Muslim festival of Eid al-Adha, on the outskirts of Karachi on June 10, 2024. (Photo by Asif Hassan/AFP Photo)

A reveler takes part in the 19th Gay Pride Parade at downtown Caracas, Venezuela on June 30, 2019. (Photo by Federico Parra/AFP Photo)

To an outsider, their passion is at times illegal and often on the verge of life and death. But climbing rooftops of high-rise buildings and exploring abandoned facilities is in the blood of these young Muscovites. The small group calls itself “Rudex”, which stands for “roof and decay exploration”, and is akin a Western youth craze known as urbex or “urban exploration” of man-made structures. Here: Urban explorer Vad Him of Rudex team jumps whilst on a rooftop in Moscow, Russia, August 14, 2017. (Photo by Maxim Shemetov/Reuters)

A model presents a creation at a metro station during a show opening the Moscow Fashion Week in Moscow, Russia on October 22, 2019. (Photo by Evgenia Novozhenina/Reuters)

Sailors pause to take a photo with characters in Times Square during “Fleet Week 2024” in New York City on May 22, 2024. (Photo by Caitlin Ochs/Reuters)

“Red Land: Sunset Cloud Village is one of the most picturesque places in Red Land, China. As its name indicates, it's best to see before sunset. The reddish brown soil turns redder after rainfall and after farmers plow the land”. (Photo and comment by Peng Jiang/National Geographic Photo Contest via The Atlantic)

The Sculpture Bank (2017) by Chinese artist Mu Boyan is exhibited along the Bondi to Tamarama Coastal walk as part of the Sculpture by the Sea exhibition in Sydney, Australia, October 18, 2018. (Photo by Charlotte Curd/The Guardian)