A resident looks at a wildfire in Vina del Mar, Chile, March 12, 2017. Forest fires are a regular feature of Chile's hot, arid summers, but a nearly decade-long drought combined with historically high temperatures have created tinder-like conditions in the nation's central regions. (Photo by Rodrigo Garrido/Reuters)

Revellers celebrate during the “Bloco da Lama”, a mud carnival, in Paraty, Brazil, on February 10, 2018. “Bloco da Lama” started in 1986 by teenagers playing with mud and became a traditional event at the historical city of Paraty. (Photo by Mauro Pimentel/AFP Photo)

Since 2003, photographer Sergey Fomin has been shooting Russia’s most attractive natural, historical, and architectural objects from different aircrafts. Photo: “An Explosive Scene”. The 1,486-meter-high Karymskii Volcano in Kamchatka. (Photo by Sergey Fomin)

Women with their faces painted as various Hindu deities take part in a celebration a day after the first democratic constitution was announced in Kathmandu, Nepal September 21, 2015. Nepal adopted its first full democratic constitution on Sunday, a historic step for a nation that has witnessed war, a palace massacre and devastating earthquakes since a campaign to create a modern state began more than 65 years ago. (Photo by Navesh Chitrakar/Reuters)

Buzludzha is a historical peak in the Central Stara Planina, Bulgaria and is 1441 metres high. In 1868 it was the place of the final battle between Bulgarian rebels led by Hadji Dimitar and Stefan Karadzha and the Ottoman Empire. The Buzludzha Monument on the peak was built by the Bulgarian communist regime to commemorate the events in 1891 when the socialists led by Dimitar Blagoev assembled secretly in the area to form an organised socialist movement with the founding of the Bulgarian Social Democratic Party, a fore-runner of the Bulgarian Communist Party. The Monument was opened in 1981. No longer maintained by the Bulgarian government, it has fallen into disuse. Buzludzha is reached by a 12 km side road from the Shipka Pass.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.