When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)

Kazakh nomads have been grazing their livestock in Mongolia for hundreds of years. Fascinated by the bond between hunter and eagle, photographer Palani Mohan has spent the last few years documenting the burkitshi. Mohan's photos of the landscape, isolation of the hunt, and most of all the trusting relationship between man and bird, convey the importance that the eagle plays in their lives. (Photo by Palani Mohan)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)

A landscape photographer turned the camera on himself to take a set of incredible selfie while visiting some of the world's most beautiful destinations. Paul Zizka, 39, from Alberta, Canada, has been a photographer for nine years, and thought that featuring in his own pictures would emphasize the nature surrounding him and create a more unique shot. Here: Lake Minnewanka, Banff National Park, Alberta, Canada. (Photo by Paul Zizka/Caters News Agency)

In this March 7, 1991 file photo, a U.S. Marine patrol walks across the charred oil landscape near a burning well during perimeter security patrol near Kuwait City. Twenty five years after the first U.S. Marines swept across the border into Kuwait in the 1991 Gulf War, American forces find themselves battling the extremist Islamic State group, born out of al-Qaida, in the splintered territories of Iraq and Syria. The Arab allies that joined the 1991 coalition are fighting their own conflicts both at home and abroad, as Iran vies for greater regional power following a nuclear deal with world powers. (Photo by John Gaps III/AP Photo)

Serra da Aboboreira Megalithic Set (Meninas do Crasto) on September 24, 2023 in Baiao, Portugal. Since 1978 that Serra da Aboboreira (Aboboreira Mountains) has been the scene of a systematic study of its archeological values, among which are the monuments known as megalithic. These are funerary monuments designing the landscape. These dolmens were constructed with stones (lithos) of medium or large dimensions (mega), which were laid in a, more or less, vertical position. Over these, it was still placed a lid, also of stone. These containers were covered by an artificial mound of earth and stones (dolmen). (Photo by Octavio Passos/Getty Images)

There is something frightening and at the same time appealing in the living sculptures of 27-year-old British artist Emma Fay. Body art in conjunction with the flexibility of acrobats and fantasy of the artist using water-based paints, a brush and sponge, is transformed into a beautiful work of art. It is not immediately possible to make out the human body in the picture. First you look at the landscape and suddenly begin to distinguish someone’s arm, or neck. Or you look into the eyes of an amazing bull, and it turns out that it is perfectly folded back. Lovely people, temples are and wonderful people-insects are.

When he's driving, New York-based painter Gregory Thielker takes in the views that change from moment to moment: the road, the sky, other cars. “Inside the car it's easy to forget the outside temperature, humidity, the noise of the road”, he says. “But something happens when rain interrupts the view: the lens through which we are seeing is revealed. Water both obscures and highlights the landscape”. Gregory Thielker's exhibition “Between here and now” will be at Castor Gallery in lower Manhattan from early March. Here: “Complete Stop”. (Painting by Gregory Thielker)