Flames from a burning barricade lit by pro-democracy protesters is reflected in the windows of a passing bus as passengers watch on during a protest gathering in front of Mong Kok police station on September 22, 2019 in Hong Kong, China. Pro-democracy protesters have continued demonstrations across Hong Kong, calling for the city's Chief Executive Carrie Lam to immediately meet the rest of their demands, including an independent inquiry into police brutality, the retraction of the word “riot” to describe the rallies, and genuine universal suffrage, as the territory faces a leadership crisis. (Photo by Chris McGrath/Getty Images)

The new curvy Barbie doll body shape (L) is seen next to the traditional Barbie in a combination of photos released by Mattel on January 28, 2016. Barbie, the world's most famous doll, has a new body. In fact, she has three new bodies – petite, tall and curvy. Some 57 years after the impossibly busty and narrow-waisted blue-eyed Barbie doll was first introduced, California-based toy maker Mattel on Thursday released the new models, which it says better reflect a changing world. (Photo by Reuters/Mattel)

These are the chimp-ly marvellous images captured by a cheeky monkey after turning the tables on a photographer who left his camera unmanned. The inquisitive scamp playfully went to investigate the equipment before becoming fascinated with his own reflection in the lens. And it wasnt long before the crested black macaque hijacked the camera and started snapping away sending award-winning photographer David Slater bananas. David, from Coleford, Gloucestershire, was on a trip to a small national park north of the Indonesian island of Sulawesi when he met the incredibly friendly bunch. (Photo by David Slater/Caters News)

Passengers pose for a selfie as they wait for the Night Tube train service at Oxford Circus on the London underground system in London, Britain August 20, 2016. The London Underground is starting its first-ever overnight service, a move city leaders hope will make the British capital a truly 24-hour city and bolster the local economy. (Photo by Paul Hackett/Reuters)

“Ary Borges and his family live in southern Brazil like most families the Borges' love animals and have an array of cats living in their home. The only difference between the cats owned by the Borges family and the cat that is cuddled up on your lap as you read this is the Borges' cats weigh over 700 pounds and could kill you just as soon as look at you. The Borges family shares their home with nine tigers, two lionesses, a chimp and a Chihuahua”. – Amanda Schiavo via Latin Times. Photo: The Borges' family pet dog, Little, is placed on the back of Tom, their tiger, for a photo to be taken, in Maringa, Brazil, Friday, September 27, 2013. (Photo by Renata Brito/AP Photo)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.

During the feudal times, the society was very structured where everyone knew their place. Fishermen knew that they would always have to bend their knee for highborn ladies and gentlemen, while the latter considered themselves to be far too superior to even look at the common folk. Mont Saint-Michel is a living memorial of those times. Its structural composition clearly reflects the structure of feudal society: The monastery and abbey were built on the highest point; housing and stores were built some distance below; finally, fishermen’s and farmer’s houses were constructed, not even being within the city walls, making them the most vulnerable to the possible attack.

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)