A Syrian rebel walks past Sham 2, a homemade armored vehicle, in Bishqatin, Syria, on December 8, 2012. From a distance it looks rather like a big rusty metal box but closer inspection reveals a homemade armored vehicle waiting to be deployed. Sham II, named after ancient Syria, is built from the chassis of a car and touted by rebels as “100 percent made in Syria”. (Photo by Herve Bar/AFP Photo)

In this handout photograph received from the Delhi Police at the scene of the incident, an Indian schoolboy is confronted by a white tiger inside its enclosure at the Delhi Zoo in New Delhi on September 23, 2014. A white tiger on September 23 attacked and killed a schoolboy who appeared to have jumped or fallen into its enclosure at the zoo in the Indian capital, witnesses said. (Photo by AFP Photo/Delhi Police)

South African maidens wrap themselves in blankets as they head to a ritual bath in a local river on September 5, 2014 at the eNyokeni Royal Palace in Nongoma in the KwaZulu-Natal region ahead of the 13th anniversary of the Reed Dance (uMkhosi woMhlanga) celebrated by the Zulu King Goodwill Zwelithin. As part of the ceremony, the young women dance bare-breasted for the king, each carrying a long reed, deposited later as they approach the King and is a cultural celebration that promotes respect for young women, and preserves the custom of keeping girls as virgins until marriage. (Photo by Marco Longari/AFP Photo)

This picture taken on November 1, 2014 shows Japanese body-painting artist Hikaru Cho (L) adding the finishing touches to a body painting of fingers sticking out from prison cell bars on the head of Ryonosuke Tanaka during “Tokyo Designers Week” in Tokyo. Cho, 21, was born to Chinese parents in Japan and burst onto Tokyo's art scene when she entered the city's Musashino Art University in 2012. Cho's ultimate ambition is to paint an entire – and naked – body. (Photo by Yoshikazu Tsuno/AFP Photo)

A participant takes part in the Bristol Park and Slide project, an interactive temporary installation by artist Luke Jerram set up in Park Street in the centre of Bristol, southwest England on May 4, 2014. Over 95,000 people applied for just 360 tickets to slide on inflatable lilos down a lubricated water slide in a town centre street. (Photo by Leon Neal/AFP Photo)

In this photograph taken on May 20, 2014 nine year old Indian boy Lakhan Kale is tied with a cloth rope around his ankle, to a bus-stop pole in Mumbai. The nine-year-old boy dressed in blue lay listlessly on the pavement in the scorching Mumbai summer afternoon, his ankle tethered with rope to a bus stop, unheeded by pedestrians strolling past. Lakhan Kale cannot hear or speak and suffers from cerebral palsy and epilepsy, so his grandmother and carer tied him up to keep him safe while she went to work, selling toys and flower garlands on the city's roadsides. (Photo by Punit Paranjpe/AFP Photo)

This picture taken on November 9, 2014 shows sharks for sale as a man removes the fins at a traditional market in Tanjung Luar in Lombok, West Nusa Teggara. Hundreds of sharks are hauled ashore every day at a busy market on the central Indonesian island of Lombok, the hub of a booming trade that provides a livelihood for local fishermen but is increasingly alarming environmentalists. The fins are sold to other Asian nations, including Singapore, Hong Kong and Taiwan, where shark-fin soup is considered a delicacy. (Photo by Sonny Tumbelaka/AFP Photo)

Demonstrators take part in a mass “face-sitting protest” outside the Houses of Parliament in central London on December 12, 2014, as they protest against changes to p*rnography regulations. An amendment to the 2003 Communities Act applies the same strict rules to p*rn bought online as those included in the guidelines set out by the British Board of Film Censors for DVDs. The new laws ban films that feature s*x acts, such as spanking, caning, strangulation, aggressive whipping, humiliation, and face-sitting. Ministers say the rules have been brought in to protect s*x workers. But campaigners say it is an attempt to censor and control the internet. Paid-for videos shot overseas and viewed online in the UK are not affected by the new rules, which were introduced on December 2, 2014. (Photo by Leon Neal/AFP Photo)