Two brown bear cubs born at Whipsnade Zoo. (Photo by Evening Standard/Getty Images). 1970

Two Bunny Girls from the Playboy Club and two Penthouse Pets from the Penthouse Club prepare to take part in the annual Good Friday waiters and waitresses race in Battersea Festival Gardens, London, 28th March 1972. (Photo by Ian Showell/Keystone/Hulton Archive/Getty Images)

The Enemy, 1944. With the outbreak of world war two, photojournalism was enlisted in defence of Mother Russia. In this photo by Anatoli Egorov, who was wounded in action, corporal Stepan Vasiljevich Ovcharenko shoots at enemy troops with a machine gun. (Photo by Anatoli Egorov/Lumiere Brothers Center for Photography)

Manuela Vargas at a dress rehearsal for “The Tigress of the Flamenco” given by her company at the Vaudeville Theatre, London. (Photo by Dennis Oulds/Central Press/Getty Images). 4th November 1964

David Bowie, 1974. David Bowie's quirky character and style was perfectly encapsulated in this shot by Terry O'Neill, which shows the music legend posing next to a barking dog on the artwork for his 1974 album “Diamond Dogs” in London. (Photo by Terry O'Neill)

President Woodrow Wilson speaks on telephone. Woodrow Wilson was the 28th U.S. President serving from 1913 – 1921. (Photo by Corbis)

U.S. Army helicopters providing support for U.S. ground troops fly into a staging area fifty miles northeast of Saigon, Vietnam, August 28, 1966. Helicopter fuel is stored in the large rubber tanks, foreground. (Photo by Henri Huet/AP Photo)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)